Research On The Theory Of New Museology And Conservation For The Cultural Heritage In The Historical Blocks

The new museology Which was born in the 60s and 70s of the 20th century is the achievement of protecting the diversified culture and its living environment as a whole,designed to in situ provide holistic and active protection of the cultural heritage and natural environment within the community.Relying on the cultural consciousness and self-management of the community residents to protect the cultural heritage of the community,the new museology has constructed the cultural identity of the community,realized the cultural autonomy of the community residents,and then promoted community development.From the rise to the peak and the fission,the new museology has experienced a few decades,and its practice in our historical district also has been going on for a few years.Whether or not the new museology can be an ideal model for the protection of cultural heritage in historic blocks is still difficult to determine,but at least provides a direction worth exploring.Whether at abroad or home,the theoretical study of the new museology always lags behind the practice and exploration,so that a systematic and complete theoretical system has not yet been established,resulting in many problems in the practice of the new museum.Therefore,this paper will include five chapters,based on a comprehensive and in-depth analysis of the social and historical background of the new museology,trying to fully grasp the connotation and characteristics of the new museology theory and lay a solid theoretical foundation for subsequent empirical research.In the first chapter,with social structure analysis,the social and historical background of the new museum will be analyzed in depth from five aspects,such as problems and culture and ecology crisis in the process of the modernization of society,the rise of postmodernism in the post-industrial era,cultural ecological imbalance and the awakening of local consciousness under the background of globalization,the arrival of the post-colonial era and the rise of colonialism culture theory,the prosperity of the heritage movement and the post-modern shift as the museum to take "content" as the center.Based on this,it analyzes the theoretical sources of the new museology,including post-modernism cultural thought,social cultural history theory,cultural ecology theory,anthropology theory,collective memory and cultural identity theory,and community development theory.Then,according to the theories of scholars such as Hugo devaran,the development of new museology theory and practice is divided into four periods.Via combing the theoretical development track of international new museology in different periods and the practice and exploration of various countries,the law and experience from the development are summarized.In the second chapter,the main contents of the new museology theory are summarized,including the emphasis on the basic concepts and principles,goals and tasks,the elements,types and methods of the new museum.Then it refines the transformation and evolution of the new museum compared with function and connotation of the traditional museum.In the third chapter,it summarizes the historical experience and development trend of cultural heritage protection in Western counterparts Based on this,we analyze the coupling of theoretical aspects,content,and methods between the new museology and cultural heritage protection for the historical blocks and then define the intersection of the museum’s philosophy and the preservation of historic blocks.Finally,it summarizes the experiences of the protection of historic district under the concept of the new museology from the representative countries(regions) of European,American,and Asian,and provides references for the protection of cultural heritage blocks under the concept of the new museum in China.In the fourth chapter,on the basis of combing the inter-generational changes in the practice and exploring the Chinese new museums at early stage,it summarizes the characteristics of the practice of new museums in China.Later,on the basis of thorough investigation of the measures taken by the new museums and their effectiveness in the two typical historic districts of China in terms of the cultural heritage protection of the neighborhood,it also summarizes the contradictions and distortions in their practices,as well as the underlying causes of contradictions and distortions,laying the foundation for a targeted solution.In the fifth chapter,the principles and strategies for the protection and inheritance of historical blocks under the new museology concept are proposed,including lifelong education,community participation,reconstruction of collective memory,overall protection,and improvement of the system,therefore,it will give power back to the people,safeguarding the spirit of historic street districts,optimizing the cultural ecology of historic neighborhoods,and realizing the dual goals of historic district cultural heritage protection and sustainable development of neighborhoods.Finally,from the perspective of public cultural service systems and cultural and creative industries,it looks ahead the development prospects of the new museums in historic districts.The new museology that was born in the 60s and 70s of the 20th century is the result of efforts to protect the diversity culture and its living environment as a whole,designed to provide in situ,holistic and active protection of the cultural heritage and natural environment within the community。The new museum relied on the cultural consciousness and self-management of the community residents to protect the cultural heritage of the community,construct community cultural identity,realize the cultural autonomy of the community residents,and promote community development.From the prosperity of the new museum to the thriving fission,only a few decades of history,The practice of new museums in our historical district has only been going on for a few yearS。Whether or not the new museology can be an ideal model for the protection of cultural heritage in historic blocks is still difficult to determine,but at least provides a direction worth exploring.Whether abroad or domestic,the theoretical study of the new museology always lags behind the practice and exploration,so that a systematic and complete theoretical system has not yet been established,resulting in many problems in the practice of the new museum.Therefore,this paper will use two chapters,based on a comprehensive and in-depth analysis of the social and historical background of the new museology,trying to fully grasp the connotation and characteristics of the new museology theory and lay a solid theoretical foundation for subsequent empirical research.basis.In the first chapter,the social and structural background of the new museology was analyzed in depth from five aspects using social structure analysis.Based on this,it analyzes the theoretical sources of the new museology,including post-modernism cultural thought,social cultural history theory,cultural ecology theory,anthropology theory,collective memory and cultural identity theory,and community development theory.Then the development of new museology theory and practice is divided into four periods.Through combing the theoretical development track of international new museology in different periods and the practice and exploration of various countries,the law and experience from the development are summarized.In the second chapter,the main contents of the new museology theory are summarized,including the emphasis on the basic concepts and principles,goals and tasks of the new museology;and the elements,types and methods of the new museum.Then it refines the transformation and evolution of the new museum in function and connotation of the traditional museum.In the third chapter,we summarize the historical experience and development trend of cultural heritage protection in Western historic districts.Based on this,we analyze the coupling of theoretical aspects,content,and methods between the new museology and historical block cultural heritage protection.The intersection of the museum’s philosophy and the preservation of historic blocks.Finally,it summarizes the experiences of European,American,and Asian representative countries(regions) under the protection of historic blocks under the concept of the new museology,and provides references for the protection of cultural heritage blocks under the concept of the new museum in China.In the fourth chapter,on the basis of combing the intergenerational changes in the practice and exploration of the early Chinese new museums,the characteristics of the practice of new museums in China were summarized.Later,on the basis of thorough investigation of the measures taken by the new museums in the two typical historic districts of China in the cultural heritage protection of the neighborhood and their effectiveness,the contradictions and distortions in their practice,as well as the underlying causes of contradictions and distortions,were analyzed.To lay the foundation for a targeted solution.In Chapter 5,the principles and strategies for the protection and inheritance of historical blocks under the new museology concept are proposed,including lifelong.education,community participation,reconstruction of collective memory,overall protection,and improvement of the system.Min,safeguarding the spirit of historic street districts,optimizing the cultural ecology of historic neighborhoods,realizing the dual goals of historic district cultural heritage protection and sustainable development of neighborhoods.Finally,from the perspective of public cultural service systems and cultural and creative industries,the new museums in historic districts The development prospects are forecasted.