A Study On The Origin Of Freehand Flower And Bird Paintings In Ming Dynasty

Flower and-bird painting is China's important part of ink painting, while "freehand brushwork painting of creation is one of several basic language. Deliberation, originally from the source with "sketch" relative and formation, the use of the word "freehand brushwork, has referred to from the original creative attitude and creative purposes, the Chinese painting became present in the context of kind of art creation non-functional. As the "enjoyable" technique language in Chinese painting, occupies very important creation. This position in the status of literati paintings with a positive correlation relationship. The scholar's interest is led to enjoyable style, but also the prosperity of literature history writing resulted in freehand brushwork in consolidating and ascension technique status.As the general knowledge of history, the Ming dynasty is enjoyable during the peak of the flower and bird painting, appear "QingTeng BaiYang" represented peak. Can think of is the Xu Wei spring flowers painting techniques will be pushed to a new stage, the ink skills, abundance performance ability greatly enhance extremely fast, creating object expand, these are all previous generations never had. Can say, the Ming dynasty is "enjoyable" of the emergence and development key period.But in this common sense, still exist some behind failed to resolve the problem. Such as:Xu Wei is when to begin, why, how to be as a top bird-and-flower painting; Mutual saying " QingTeng " and "BaiYang", what is the connection between, whether they really exist inheritance or influence the relations; "BaiYang" ivy leaves from the artistic style is from each inheritance; The development of freehand brushwork, namely we technique called the general since spring, whether exists to freehand brushwork in the development of a art self-discipline clues? And so on.About these problems, especially in more than one final question, predecessors or have involved, but mostly Jane and slightly, have been ignored; The slight research, sociology and inherited documents from most of the recorded with seemingly no doubt for abstract techniques inheritance looking for evidence.Facing these problems, such as techniques, I hope the learners from art ontology, namely the specific analysis of freehand brushwork language, to explore "freehand brushwork in Ming dynasty paintings. The development status of self-discipline generation Hope from the Angle of artistic language ontology research, avoid the previous rely on limited materials for the explanatory research methods, in the field of painting freehand brushwork "language, for to seek a relatively clearly development clue.