The Late Qing Dynasty Stone Means Of Freehand Brushwork In Traditional Chinese Flower-and-bird Paintings

The Chinese painting influence late inscriptions painting in China is huge, the richinscriptions form the picture shows continuously with strong aesthetic experience. On the aestheticexperience as the starting point of mining flower-and-bird painting inscriptions, paintings offlowers and birds in the inscriptions expression is to book art, achieve the combination of poetryand print. Aesthetic awareness reflect this combination way full of artists and profoundconnotation, and then from the aesthetic point of view, analysis the screen aesthetic conception.Artistic conception is the aesthetic consciousness consciously results, unified his subjective andcreated a completely independent of the present world, the world of art aesthetic world. Reflect thesubject-object highly unity, this unity the scenes, people can enjoy the beauty.After the article selects first after analyzing the aesthetic meaning of flower-and-bird paintinginscriptions, stages in turn inscriptions, before the development of inscriptions, the simplenarration to the Qing Dynasty art development, rise to epigraphy movement is the turning point ofart development transformation, which opened the inscriptions show the prologue to form, fromthe early development of the artistic style of Zhao Zhiqian to the heyday of Wu Changshuo QiBaishi to the modern people pursue inscriptions painter, through an analysis of the relationshipbetween inheritance with the time axis one one of the style of art, to summarize the level ofaesthetics, we can recognize, appreciate the flower-and-bird painting inscriptions aesthetic fun,can feel the beauty of existence, this is enough, with the development of society, understanding ofthe United States in unceasing change, but no matter how fast the time go, wouldn’t leave beauty,as long as the reported a belief in art, art is so beautiful able to produce.Jinshi painting from the development time, the pursuit of inscriptions artists, their overallquality, elegant style, to the pursuit of the screen inscriptions as the goal, create insurmountable artpeak, stone painting from the early stage of development to fully mature experiences in variousstages of development, and finally completed the continuously perfect combined with theaccumulation and precipitation, long time only skilled techniques, but the more thought-provokingand worth learning is the spirit in the face of setbacks, unremittingly, and to improve the spirit of self. At the same time continuously combination also tells us, knowledge is; each object andpursuit of art represents the aesthetic ideas, the formation of aesthetic idea relies on the experienceand theory, therefore, the painting learning is a comprehensive learning, in addition to poetry andprint the full accomplishment, the more important is to foster the thought realm.