On The History Of Poetry Research In The Han Dynasty (Han-Qing)

In the history of Chinese poetry,the emergence of poetry in Han Dynasty has special sense.The study of poetry in Han Dynasty has gone through more than two thousand years.Since the Han Dynasty,every era has the collation,textual research and interpretation of Han poetry,and its research content is very extensive,which provides indispensable research data for our research today.The investigation of poetry in Han Dynasty has always been carried out according to the different research interests of researchers,or the special research on Chinese poetry in different categories,or a detailed textual research on the background,structure content and appellation of Chinese poetry.With the deepening of the study of poetryin the Han Dynasty,comprehensive,complete and meticulous research results havebeen accumulated.This paper tries to examine the history of poetry research in Han Dynasty,which makea dynamic and directional investigation,highlight the research features of the past dynasties,and identify the historical track and inheritance relationship of the evolution of the study.The full text is divided into six chapters,the main contents are summarized as follows:The first chapter mainly describes the poems in Han Dynasty,and expounds the mechanism and performance,performance and related information of Lefu.History and Han Books are two historical books that recorded the related situation of Chinese poetry in this period.In the second chapter,during the Wei,Jin,Southern and Northern dynasties,the Han drum music was transformed and refined into the court music of Ji Song Gong de.With the deepening of the two-way interactive communication process between court elegant music and popular music,the tradition of elegant music focused on in the Han Dynasty was subverted.The Book of Music of the Song Dynasty brought the Han music to the category of official music,including Han music,music and music.And for the first time recorded the Han Nao Song 18 and Mo Shangsang,its pioneering contribution can not be lost.During the Southern Dynasty,it officially opened the prelude to the study of Chinese poetry.Liu Xie and Zhong Rong commented on the poetry of the Han Dynasty.Although the language was a little too brief,it already involved the origin of the five-character poetry.Poetry style and authenticity of works.Anthologyand Yutai Xinyong contributed to the collation and collection of Han poetry.The third chapter,the retro trend of thought in Sui and Tang dynasties,opened up the criticism of the style of writing in the six dynasties.Chen Ziang pointed the edge of criticism directly at Qi Liang,clearly expressing his attitude of advocating elegant style and ancient poems of Han and Wei dynasties.In the face of the amusing trend of the poetry creation of the ancient title Yuefu since the Southern Dynasty,the Yuefu scholars represented by Wu Jing combed the original source of the ancient title,which opened up the theoretical support point for the creation of the ancient title Yuefu.Li Bai paid more attention to the stipulation of Yuefu ancient questions and expressed his profound understanding of the meaning of ancient questions through creative practice.The poetry of Han Dynasty was widely spread during this period by relying on Anthology.Jiao ran brought Han poetry into the field of aesthetic criticism,indicating that the study of Han poetry began to deepen and refine in this period.The Tang Dynasty books categorize Han poetry according to its nature,although it is not the same as that of the Southern Dynasty,but its attitude towards Su and Li poems is consistent with that of selected Poems.In the fourth chapter,Yan Yu of Song Dynasty established the position of "the first meaning" of Han and Wei poetry in his poetics system.Zheng Qiao's General Records and Music Strategycombs the music classics from Han and Wei dynasties to Tang Dynasty,trying to strengthen Cui leopard and Wu Jing to explain the disadvantages of poetry with "righteousness".Zuo Keming's unique way of solving problems in Han Yuefu has become an important turning point in Yuefu research.Poetry has become a main form of poetry theoretical criticism in Song and Yuan dynasties.Yan Yu,Liu Kezhuang,Yang Zai and others all expressed their understanding and views on Han poetry in their poetry works.The fifth chapter,in the Ming Dynasty,made a comprehensive selection,compilation,injection,examination,point,evaluation and theory of the Han Dynasty's poems,and it was rich in its volume,the integrity of the system and the accuracy of the theory.The first seven sons of the Ming Dynasty took the "the ancient body of the Han Wei" as the creative program,and put the poems of the Han Dynasty to the sub-classical status of the second only to the Book of Songs.In sixth chapter,the study of the Han poems in the Qing Dynasty is based on the research of the past dynasties,and has developed more in-depth and more comprehensive.The Qing Dynasty is the revival of the traditional political and educational spirit of the Confucian poetics.The most significant of the research methods is to break the traditional method of evaluation,and to apply the method of the creation and criticism of the time to the evaluation of the Chinese poetry.