Power And Dynamics: A Study Of Body Expression In Popular Singing

Body expression is an important feature of pop stage.Because the body expression of pop singing must be carried out under the control of perceptual movement,the dynamic relationship between body and movement must be explored in the practice of pop singing stage.At the same time,pop singing should not only create the text twice,but also face the audience directly,highlight the efficiency of body expression and strengthen the on-the-spot significance of stage space.Therefore,for the text and the audience,the body not only plays a connecting role,but also should be treated as an important link whether the works can present the best effect.Based on the theories of communication,semiotics,psychology and so on,this paper analyzes the function attribute,internal and external power and specific performance form of the body in pop singing by observing the visible body image characteristics of pop singing in various media,and then sums up the present age by combining the existing experience of body expression in pop singing Based on the type and meaning of body symbols under technical support and even intervention,this paper attempts to construct the essential law of the process of "text expression acceptance" in pop singing.This paper holds that,first of all,the body expression of pop singing is in the core position among three different subjects:text,singer and audience;second,the body as a medium is the main body of artistic expression in pop singing communication;third,from the perspective of communication,it constructs the method and path of body expression of pop singing,and through the bad appearance in the current pop singing performance It also sums up the principles of body communication of pop singing on the premise of abiding by the law of oneness and Gestalt of body communication.The purpose of this topic is to reveal the internal law of body expression of pop singing,to explore the systematic development of pop singing techniques,and to provide theoretical reference for the theoretical penetration of music communication towards pop singing practice.