A Comparative Study Of Purple Sand Art In Ming And Qing Dynasties

In order to have a deeper understanding of the aesthetic essence of red porcelain craft,grasp the developmental law of red porcelain craft more accurately,and have a further understanding of the transmutation characteristics of red porcelain craft art in Ming and Qing dynasties,this article,guided by such aesthetic category as"big","strong","small","soft","classical","rough","smooth","elegant","harmony between man and nature","remove straying thoughts" "intangible and simple","keep silence and peace","the doctrine of the mean","perfect" "unadorned" "magnificent and wealthy" "splendid and surprised" "beautiful and elegant","the beauty of life" and"the beauty of ecology",makes a comprehensive comparison on the red porcelain art during the Ming and Qing dynasties.This paper makes a deep and systematic study on the evolution of red porcelain craft style over hundreds of years.It makes a comparative study of red porcelain craft in Ming and Qing dynasties,summing up the historical experience and the further development of red porcelain craft.Based on the "comparative study of red porcelain craft" in the Ming and Qing dynasties,it carries out the collection and appreciation,sorting and digging the red porcelain craft of Ming and Qing dynasties,and conducts a comprehensive comparison the historical and cultural background,the shape characteristic,the concept of multiculturalism,the overall aesthetic creation style.Then it further explores the most prosperous stage of the change of red porcelain craft in aesthetic history and its enlightenment.This paper is divided into five parts:First of all,it gives a general overview of red porcelain craft culture in China,discusses the red porcelain craft in the traditional Chinese historical and cultural system as a whole,and reveals the influence of historical conditions,environmental factors and zeitgeist on red porcelain craft in the Ming and Qing dynasties.Red porcelain craft is based on the characteristics of a special era with different culture,historic and social cultural background.Those factors have a profound effect on the formation of the red porcelain craft and its aesthetic thought.It combs general status of red porcelain craft in the history of the Ming and Qing dynasties,the origin and development of inquiry as significant results characterized with red porcelain craft---"the Literati Pot" and "the folk red porcelain".It aims to compare the style differences of red porcelain craft in Ming and Qing dynasties based on the more extensive and practical historical and cultural background.On the outline of general history status of Chinese red porcelain art,this paper conducts a more comprehensive,systematic and in-depth comparative study on three aspects of red porcelain craft during the most prosperous period of the Ming and Qing dynasties of red porcelain craft,on the basis of the shape and structure characteristics of red porcelain craft,conceptual cultural diversity of red porcelain craft,as well as the general transmutation of aesthetic style.Firstly,it is a comparison of the shape and structure features of red porcelain craft during the Ming and Qing dynasties.Red porcelain craft in the Ming and Qing dynasties in different historical periods,influenced by historical styles,shows different artistic ideological tendencies,which is not only reflected in the shape and structure of red porcelain craft,but also in the conceptual creation of red porcelain craft.At the same time,the different characteristics of red porcelain craft during Ming and Qing dynasties can be seen from the comparison of creation techniques,modeling structure and decorative features.Secondly,it concentrates on red porcelain craft in Ming dynasty and the aesthetic state of Literati Pot of Qing dynasty,rare antique of red porcelain and court red porcelain,it compares with various cultural concepts of red porcelain craft during the Ming and Qing dynasties,discusses the similarities and differences of red porcelain craft during the Ming and Qing dynasties from the perspective of philosophy view,nature view,emotion view,art view and artistic conception view,and reveals the difference of red porcelain craft between the life aesthetics idea of the Ming dynasty and ecological aesthetic wisdom of Qing dynasty.Thirdly,this paper makes a systematical comparison about the overall aesthetic style of red porcelain craft during Ming and Qing dynasties from several aspects,such as creation ideal,pot art decoration,expression mode,aesthetic effect and structural means.Such red porcelain craft during Ming and Qing dynasties under the influence of Chinese traditional culture of Confucianism,Buddhism,Taoism,and due to different time characteristics and the cultural spirit,shows different artistic style,which can be seen from the pot body of the ground of purple clay artist's understanding and application of Chinese traditional art culture.Therefore,with individual integral style,red porcelain craft during Ming and Qing dynasties shows its unique aesthetic style,artistic creation and cultural means to get fully embody.Finally,this paper summarizes the historical law of purple sand style evolution in Ming and Qing dynasties from the macro level,and from the current development of the contemporary red porcelain craft,expounds the reasons for the formation of red porcelain style evolution in Ming and Qing dynasties and its contemporary enlightenment,and explores its value and significance for the contemporary practice of red porcelain craft.The unique Chinese traditional culture of red porcelain craft is strongly impacted by the tendency of "internationalization" in contemporary times,which,to some extent,makes a look new on the content of red porcelain culture,but leads to the decline and disappearance of the Chinese culture of red porcelain craft.Therefore,it must try its best to keep the historical and national characteristics of the traditional craft,so as to make it full of new vitality and vitality in the contemporary era.Throughout the history of Chinese red porcelain craft and culture,the artistic creation and aesthetic thought in the Ming and Qing dynasties occupies an extremely important position.Over hundreds of years,many red porcelain artists and pot art lovers showed great interest in the red porcelain craft of the Ming and Qing dynasties.For the contemporary red porcelain craft,the development of the new era is inseparable from the inheritance of the traditional culture of red porcelain craft.The spirit,temperament and connotation of red porcelain craft during Ming and Qing dynasties are always the object for the artists and enthusiasts to learn from,as well as the important academic topic for the researchers to discuss.Meanwhile,it is also an inexhaustible and enduring treasure house of traditional cultural resources.