The Psychological Narrative Study Of Crime Movies In The Chinese Mainland Since The New Period

In the course of the development of Chinese films,crime movies films are undoubtedly an indispensable and important part.since the New period,the crime movies in the Chinese mainland have continuously made breakthroughs in the development process.At the same time,the crime movies in the Chinese mainland learned and borrowed from the experience of American Hollywood crime movies and Korean crime movies,and gradually showed characteristics in criminal psychology types,character psychological representations,and audiovisual language expressions.Christian Metz,the founder of film semiotics,inherited and carried forward Sigmund Freud's views.He believed that film is a reflection of dreams,and the pressure in real life can be released by watching movies.In the crime movies in the Chinese mainland,directors and screenwriters show the desire,fear,anger,death,hatred and destruction of human nature.Therefore,viewers are obsessed with movie works.By watching movies,the viewers are established with the characters on the screen.the viewers and the characters become more intimate and achieve psychological empathy.The desire and hatred of the characters in the film are resolved,and the viewers also release the pressure in real life.In addition,the criminals who violated social morals and legal constraints in the film are finally punished.The concept of rule of law conveyed in the film also has an educational and vigilant effect on the audience.since the New period,the crime movies in the Chinese mainland are influenced by new ideas and new thoughts,coupled with the influence of foreign crime films,the characteristics of narrative become more and more obvious.Into the 21 st century,the crime movies in the Chinese mainland have gradually formed stable psychological narrative characteristics,and the genre elements have gradually become stable.Because of the special genre elements in mainland crime movies,consumers are more willing to watch it.At present,the creators of the crime movies in the Chinese mainland have a conscious awareness of genre creation.At present,the creators of the crime movies in the Chinese mainland are able to organically combine realism and psychoanalytic theories,and the movies pay more attention to showing the pathological psychological characteristics of the bottom of society and the marginalized.In mainland movies,the crime movies in the Chinese mainland have crossed genres and elements,Such as science fiction + crime elements,This phenomenon may be a new direction for future film art creation.The Psychological Narrative of the crime movies in the Chinese mainland is Closely Linked with Psychoanalysis.The criminal psychology of the crime movies in the Chinese mainland can be divided into endogenous criminal motives and exogenous criminal incentives.The motivation of endogenous crime is divided into original sin consciousness and biological attribute.According to the instinct theory of the famous psychoanalyst Freud,this is rooted in the primitive impulse of the criminal.When people's "self" and "superego" lose control,the "original self" will come out and do bad things.Abraham H.Maslow believes that when the minimum needs of human beings are not met,the brain will generate driving force that drives people to meet their own needs at all costs.The exogenous criminal incentives is reflected in the psychological impact of the environment.For example,a long-term depressive work environment,a violent family environment,a campus environment that condones bullying,and certain special environments that incite crime.Such an environment will arouse and awaken people's criminal psychology and encourage them to commit crimes.In general,the criminal's motivation is not determined by a single factor,but the result of the interaction of individual factors and external environmental stimuli.Based on the above conclusions,further research is carried out on the psychological representation of offenders in the crime movies in the Chinese mainland.According to the narrative texts of the crime movies in the Chinese mainland,the psychological representations of the offenders in the movies can be divided into two aspects:First,Perverted psychology,the perverted psychology of the offender is reflected in sexual perversions,post ? traumatic stress disorder,antisocial personality disorder and Paranoia.Second,Psychological conflict,the inner conflict of the criminal is embodied in the strangulation,love killing,vendetta and salvation of the individual by the group psychology.By categorizing the psychological representations of psychological offenders,it is possible to more clearly explore the criminal motives of the offenders,reveal the psychological narrative characteristics of the crime movies in the Chinese mainland,and deeply explore the psychological and spiritual distortions of the offenders.Highlight the value of human nature and carry out in-depth discussions on complex human nature.At present,the artistic creation of the crime movies in the Chinese mainland has the characteristics of typology,and the characteristics of typology creation are mainly reflected in the psychological narrative.The narrative of the film pays more attention to portraying the criminal motives,in-depth description of the psychology of the offender,and presents the suspenseful storyline,the thrilling contest between good and evil,and the complex and changeable depiction of human nature on the screen.Analyzing the narrative characteristics of the crime movies in the Chinese mainland,it can be found that the crime movies in the Chinese mainland have unique characteristics in terms of suspense setting,space setting,and use of audiovisual language.In terms of suspense settings,film creators often use character perspectives,montages,Mac Guffin,and open endings to construct a dual plot of mystery and reasoning for movie viewers,which inspires movie viewers to curiosity about the film's narrative.Secondly,the crime movies in the Chinese mainland have also opened a spatial narrative that highlights psychological characteristics.Through the enclosed space of psychological materialization of the characters,the emotional space of anxiety and depression and the memory space of revealing psychological trauma are set up a mysterious and novel "psychological space".This kind of space brings viewers into the inner world of psychological criminals,digs into their hidden secrets,and meets the truth deep in the criminals' hearts,so as to achieve deep participation in the true sense.Thirdly,the use of light and color in At present,the artistic creation of the crime movies in the Chinese mainland has the characteristics of typology,and the characteristics of typology creation are mainly reflected in the psychological narrative.The narrative of the film pays more attention to portraying the criminal motives,in-depth description of the psychology of the offender,and presents the suspenseful storyline,the thrilling contest between good and evil,and the complex and changeable depiction of human nature on the screen.Analyzing the narrative characteristics of the crime movies in the Chinese mainland,it can be X found that the crime movies in the Chinese mainland have unique characteristics in terms of suspense setting,space setting,and use of audiovisual language.In terms of suspense settings,film creators often use character perspectives,montages,Mac Guffin,and open endings to construct a dual plot of mystery and reasoning for movie viewers,which inspires movie viewers to curiosity about the film's narrative.Secondly,the crime movies in the Chinese mainland have also opened a spatial narrative that highlights psychological characteristics.Through the enclosed space of psychological materialization of the characters,the emotional space of anxiety and depression and the memory space of revealing psychological trauma are set up a mysterious and novel "psychological space".This kind of space brings viewers into the inner world of psychological criminals,digs into their hidden secrets,and meets the truth deep in the criminals' hearts,so as to achieve deep participation in the true sense.Thirdly,the use of light and color in crime movies has also played an icing on the cake for the shaping of the characters in the play and the transformation of their psychological state.The addition of sound effects and songs to the movie has an unparalleled effect on creating a plot atmosphere,arousing empathy among viewers,promoting the trend of the plot,and expressing the emotions of the characters.Through the light and color changes in the screen,the coordination of sound and songs can assist the viewer in interpreting the criminal psychology of the offender,and feel the unique aesthetic significance of the crime movies in the Chinese mainland.has also played an icing on the cake for the shaping of the characters in the play and the transformation of their psychological state.The addition of sound effects and songs to the movie has an unparalleled effect on creating a plot atmosphere,arousing empathy among viewers,promoting the trend of the plot,and expressing the emotions of the characters.Through the light and color changes in the screen,the coordination of sound and songs can assist the viewer in interpreting the criminal psychology of the offender,and feel the unique aesthetic significance of the crime movies in the Chinese mainland.The vigorous development of the typification of the crime movies in the Chinese mainland is inseparable from the evaluation of viewers.Especially the trend of typification of the crime movies in the Chinese mainland is becoming more and more mature,and the characteristics of the genre are more obvious.Therefore,it is more valuable to investigate the movie-watching psychology of the crime movies in the Chinese mainland from the perspective of the audience.Through the analysis of the psychology of the viewers of the crime movies in the Chinese mainland,it can be found that the emotions such as violence,blood,pornography,and peeping in crime-themed movies can satisfy the special hobbies of movie-goers.In addition,a quantitative analysis was carried out on the film reviews of the crime movies in the Chinese mainland on Douban website with a total of 1,134,115 words.The following conclusions are obtained: Viewers are particularly interested in the narrative themes and narrative features of the crime movies in the Chinese mainland.They believe that crime movies are full of repression and desire,see the darkness of human nature,and hope to be able to shoot more real and more exciting the film.