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A Study On The Psychological Narratives Of Mainland Crime Films Since The New Century

Posted on:2020-06-24Degree:MasterType:Thesis
Country:ChinaCandidate:Y J LiFull Text:PDF
GTID:2415330599956889Subject:Theater, film and television
Abstract/Summary:PDF Full Text Request
Since the new century,under the background of deepening reform and opening up,the deepening reform of the film industry has boosted the development of mainland crime films.The number of mainland crime movie is increasing year by year,and its development is in diversification.Breaking the fixed narration mode that the public security film used to and integrating new style elements brings about the flourishing film industry.The mainland crime films get rid of the stale and bring forth the fresh in narrative sequence,which prefer to apply nonlinear narrative technique in order to creating a sense of suspense in crime movies.In recent years,the mainland crime movies put emphasis on suspense setting and mental depiction,which is a narrative innovation in order to satisfy the curiosity and peeping mind of contemporary audiences.The psychological narrative of mainland crime movies mainly focus on mental focus,character setting,the construction of psychological space-time and psychological narrative style so on.Psychoanalysis,film second semiotics,film narratology and space-time structure theory so on are integrated into psychology narration of the discussion of mainland crime movies since the new century.First of all,the narration perspectives of mainland crime movies closely connect with psychological narrative perspective.The inner-focusing narration and non-internally focused narrative have great impact on psychological narrative of mainland crime movies.Secondly,any style of mainland crime movie attaches importance to psychological narrative.The dramatic and conflicting triangle relationship of criminal,victim and law-executor plays an indispensable part of mainland crime movies 's narrative.Their psychological changes directly push the development of the plot of the movie.The character's mental consciousness and affective symptoms can be analyzed by relative psychoanalytic theory.Thirdly,the constructions of psychological space-time of mainland crimemovies are more remarkable than other types of movies.To some extent,the constructions of psychological space-time are related to the psycho-narration of the character.Mainland crime movies express dreamland of the character,memory and fantasy by setting up psychological space-time,which is conducive to reveal the deep state of mind of the character.Finally,the mainland crime movies 'development is in diversification.Going deep into mental world of the schizophrenic paranoia style emphasizes the suspenseful and exciting criminal mind in the narrative.The brutal violence style highlights violence aesthetics to gratify audiences' visual curiosity.Mainland crime movies apply the realistic style to adapt the real case that reflects the good and evil of human nature.In addition,comic style is integrated with humorous elements to express carnival crime.Sorting out the discrepancy and integration in psychological narrative of the mainland crime movies unfolds the deficiency of mainland crime movies.The expression of the topic and theme in mainland crime movies are ambiguous,which ignore elucidation of moral psychology.Analyzing the advantages and disadvantages of the mainland crime movies in psychological narrative paves the way for its development.
Keywords/Search Tags:crime movies, psychological narration, mental focus, psychological space-time, character psychological setting
PDF Full Text Request
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