| "The feeling to, can not help but hand dance, foot dao." Thus, dance is an art form of human feelings and emotions. The Chinese nation is not only a brave and hardworking people, but also a singing and dancing.56 ethnic groups have their own national traditional culture and forms of dance, and Han folk dance in the most popular dances in the form of Yangge Dance and drum. Junzhuang Yangko from Henan Huaxian town Junzhuang village, folk choreographed the dance Yangko. it is set dance, folk tunes as one kind of comprehensive art. is an important part of northern Yangko system. Junzhuang Yangko after baptism of history and heritage, reflecting the cultural characteristics unique to each age. economic status and political situation. At the same time, these also confirms the distinct and unique characteristics of Chinese folk culture, and reflects the humanistic connotation of North Henan people's simple and sincere.Junzhuang Yangko as a form of folk dance, its own is contains certain folk breath and serious and humorous nature of etiquette, is the folk custom etiquette nature reflects the inheritance of Chinese culture, the main performance expressed in Junzhuang Yangko the content is relatively wide, rich in the form of; in the formation of the layout and changes exist rich connotation; at the same time, using the beautiful shape, unique items:and dance action implies the auspicious image, the theme is yearning for a better life. These fully demonstrate inheritance and development of the splendid Chinese culture in Junzhuang Yangko.1 he army Zhuang Yangko has the cultural characteristics and performance form of, by the unique style characteristic to grasp the artistic features of Junzhuang Yangko, so we could see that Junzhuang Yangko in thecontemporary era of cultural value and through the view of the intangible cultural heritage to study Zhuang Jun Yangko, through the perspective of talk about how to Junzhuang Yangko of protection and inheritance.The main part of the thesis is divided into five chapters:the second chapter introduces the origin and development of Junzhuang yangko dance. This part based to the reading and finishing, carried on the description from the natural environment and the humanities environment of the origin, and with the lapse of time each time all the different development were studied, so that the public have a overall cognition ofJunzhuang Yangko. The third chapter for cultural and artistic characteristics of Junzhuang Yangko, mainly through its unique style of performance and the external characteristics of the special exhibit Junzhuang Yangko is different and unique from other Han nationality Yangko, also through music and dance form, the form of Junzhuang Yangko discussed, make people have a comprehensive understanding and knowledge of Junzhuang Yangko, which reflects the its artistic value, and the fourth chapter lay the foundation for. The time value of the fourth chapter uniform Yangko is the main part of this paper, it is first chapters of this paper as bedding, to Junzhuang Yangko with the times were in detail, from the view of intangible cultural heritage see Junzhuang Yarigko, see is the for intangible cultural heritage, its rheological characteristics can not be separated from the folk worship activities, and also inseparable from the era of progress and development, but this kind of situation should be how to carry on the collection and mining has important theoretical value and practical significance. The fifth chapter is the inheritance and protection of Junzhuang Yangko dance. Is the fifth chapter of intangible cultural heritage from the perspective of Junzhuang Yangko, can see Junzhuang Yangko faced problems, such as lack of funds, inheriting people have died caused can not complete the inherited problems, this relatively feasible measures and the protection. |
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