| BinYang cannon dragon festival because at night with firecrackers fry the dragon, known as the Oriental festival carnivals and listed in the national non-material cultural heritage list. This topic research foundation is discussed, and the path with local characteristics of the dragon festival ritual artistic aesthetics and expression. The focus of research topic is through fieldwork and ethnography interview materials for cannon dragon festival opening ceremony, the formation process of inheriting dragon totem, make the description and interpretation of aesthetic memories. The aesthetic memories, refers to the process, the aesthetic characteristics of aesthetic object if we do, maintain, recognition and recall psychological activity and formed a kind of memory. Cannon dragon festival ritual of ethnic group, one of the aesthetic memories are selective, long, conversion, main characteristics, such as motivation, can awaken and to extract, combination. Therefore, the cannon dragon day ceremony of aesthetic imagination and process, is actually a dragon totem of artistic and aesthetic memories of the process, which is the message by damaged dragon, dispelling the carriers of the dragon and ritual carnival of dragon totem. The connotation of recessive. Specific performance in the gun in that particular dragon festival ritual atmosphere, they broke original dragon totem worship of the order of the conventional"Real dragon in the days", to cherish and hierarchy"Carnival"means"respect"idea of"dragon", Thus, the cannon dragon day ceremony of emotional release, in fact, is a kind of"consciousness of carnival"and carnival form of art aesthetics transition and expression. In addition, the research topic is the present evidences gun dragon festival to make the aesthetic level of philosophical thinking. |
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