Conscious Inheritance Under The Traditon

Bing Xin (1900-1999) is a bright pearl on Chinese literary in the 20th century. Bing Xin's literary achievements are extensive, including novels, essays, poetry, translation, and has a pioneering function in her own times. In the tide of radical May Fourth New Culture Movement, Chinese intellectuals faced with the collision of tradition and western culture, while they are shown to break the feudal ideology, on the other hand, intentionally or unintentionally, they try to eclectic Chinese and Western cultures. When numbers of "May Fourth Movement" writers taking a fierce critic of traditional literature and deliberately avoided it, Bing Xin consciously learn the essence of classical literature to nourish her own writing, thus creating a unique art world.This paper will give us a detailed discritption from three aspects of language, style and mood.The first chapter focuses on Chapters structure, overall structure, syntax and other aspects to discuss the works classical poetry and classical metrical sources in style inheritance. The second chapter tells us how the works bring readers aesthetic experience of "scenes, virtual and real, implicit". From the history of the theory, the characteristics of mood and the use of imagery, the third chapter take the language style as the research object. From the aspects of the traditional technique of expression and the inheritance of classical poetry, the absorption and selection of classical vocabulary and the bulk phase parallel the beauty of rhythm and rhyme, the writer discussed the unique charm of Bingxin's language. The conclusions are based on the first three chapters, and reveals the root cause of her widely recognization.