Study On The Phonology Of Gan Opera

If Peking Opera is the quintessence of our country, then it is no exaggeration to say that, in Jiangxi Province, Gan Opera is the pure drama. Jiangxi province has been honored to be a state of operas from Song Yuan dynasty and Gan Opera is the main large local opera. It includes pop music Kun Tune and Yiyang Tune in the Ming dynasty, can be said to origins long, rich tune, and welcomed by the masses with a large number of the traditional repertoire.Gan Opera originated from Yiyang tune in the Ming Dynasty. Yiyang tune is one of the oldest opera tune in China. The history of Chinese opera, has worked with sea salt cavity, Kunshan cavity, Yuyao par cavity, known as the "Four Tune" and has important implications on the development of Chinese opera. Gan Opera has Rao classes and Xin classes, they are two schools of faith River, which matched the two factions in 1950, changed its name to Gan Opera. Northeast Jiangxi (now Shangrao, Jingdezhen, Yingtan 3 City area, including the old state capital of GuangXin and Rao government) is the birthplace of Gan Opera and so far is still the major epidemic areas.In this paper, Gan Opera stage voice is the research object, after investigation, based on the description of the Gan Opera stage voice of the face, we finishing the phonological phonology and rhyme rut of the Gan Opera, also making a new old-school phonological comparison and stage voice and Comparison of voice-related dialects of the Gan Opera phonological.The language of Gan Opera as a special social dialect, is based on the dialect in northeastern Jiangxi, according to "writing"and "Mandarin" of the form. In addition, The phonological study of Gan Opera should enrich the theory of social linguistics, and provide valuable reference for historical phonologisal research of Modern Mandarin.