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On The Aesthetic Presentation In The Composition Of Primitive Ethnic Music

Posted on:2011-01-04Degree:MasterType:Thesis
Country:ChinaCandidate:Y ZhangFull Text:PDF
GTID:2155330332484346Subject:Chinese ethnic minority art
Abstract/Summary:PDF Full Text Request
The term originality, far from uncouth or illiterate synonymy, is one of the words being incited with high frequency for discussion civil culture. In terms of sociology, originality is defined as patens involved in civil and rustic performance with no artificial retouch, which has singing, dancing, singers and natural resorts drawings included. Originality is essentially a symbol of mass culture and civil culture of oblivion or discarding thanks to the process of its invention to prevailing and even to substitute for spiritual culture in imagination.This dissertation discusses the chorus Yunnan Flavor Composition by Mr. Tian Feng, which portrays with notes and scales the customs and living of different five races. Mr. Tian Feng holds that minority takes one part of Chinese culture and demonstrates Chinese spirits in a sense. This essay will decompose the substantiation of original musical glossary in modern musical composition by analysis of the background, stratification of multi-tone, multi-dimension chord and colloquial languages rhythms occurred in twentieth century as well as discursion of original tune.The occurrence of valuable art work must derive from certain history background and impetus and influence to that age comprehensively and accordingly. This course will insect one art work in stratification way, enhance to the summary from the view point of aesthetics, combine the traditional musical analysis method with minority's art theory and implement some substantive research in this marginal art filed as commencement.
Keywords/Search Tags:Originality, Abstract, Primitive, Artistic will
PDF Full Text Request
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