Research On The Occurrence Of Huashan Pictographs

Zuojiang Multi-Purpose river Valley steep cliff,Zhuang ancestors painted figures,animals,utensils and many other images,reflecting the Zhuang ancestors survival state,survival way and primitive spiritual belief system,showing primitive art plain,unrestrained style and primitive,wild life.Huashan pictographs is a representative for the largest,preserved completely one,it is also the largest rock paintings found in our country so far,rare for the world.The logical starting point of this paper lies in the primitive art positioning of Huashan pictographs,which revolves around its artistic nature to analyze the primitive art features,and explore the natural environment,ethnic identity,cultural background,primitive thinking and primitive aesthetic consciousness of Huashan pictographs.This paper is divided into six parts,the first part is the introduction to the research background and the origin of the research,purpose of the meaning of the exposition.The second part explores the original artistic nature of.Huashan rock paintings are located in remote Lingnan,forming the development state of Huashan pictographs.Zuojiang area is far behind the political center and leg behind,this special "jet lag" causes the Zuojiang area to be in the primitive art period of relative "slash and burn",its art form has the rough,immature,natural and unrestrained characteristic and on the former stage of art.As in the transitional period of art,Huashan pictographs are different from today’s art system,with their own artistic factors and a set of thinking modes and manifestations.At the same time,the historical records and archeology evidences show us that Huashan pictographs is a result comes from Luo Yue culture,bronze drum culture,is the product of rice civilization.The third part focuses on the artistic composition and characteristics of Huashan pictographs.Thousands of Huashan pictographs’ characters,beasts,objects of the image are bold,contour painting,using the color of red,stereotyped composition,through repeated repetition of the same,unified movements,repeated rituals to pray for the gods.Huashan pictographs make "squat-type person" as a national prototype retained in the Luo-Yue People’ s memory.Huashan pictographs reflects the scenes of primitive rituals and shows the Luo Yue people social life.The fourth part,which explores the primitive thinking method of luo Yue and psychological genes of Huashan pictographs.The occurrence of Huashan pictographs is based on the primitive thinking mode including their soul worship,the totem worship,the nature worshipand the ancestor worship,which full of the Luo Yue’s esthetic consciousness and the early understanding of beauty.Huashan pictographs focus on the strength of their ancestors,to reproduce a strong,vigorous Luo Yue ancestors.The whole painting amplify the abstract factors and neglect the details,makes it a unique way to show what Luo Yue people’ s primitive minds and esthetics thoughts.Just standing in the modern perspective,with "his" eyes to take care of primitive art is obviously insufficient and insufficient.Huashan pictographs is an important part of the culture of Luo Yue has been recognized by the world as Zhuang ancestors Precious artistic work and cultural heritage,naturally has the cultural heritage protection value.In addition,Huashan pictographs also promoted the development of contemporary literature and art in Guangxi,it has a profound influence on the motif of folk literature,the expression and so on,and as the call force of the Academic conference,the value of its mobilization significance can not be underestimated,directly affecting the emergence of "literary Gui Jun".The sixth part is concluding...