Aesthetic Orientation Of The Chinese Landscape Painting On The Basis Of The Mood

The mood which is a interesting concept in the chinese classical aesthetic from the soil of chinese traditional culture, reflected the chinese traditional arts that has being effected Confucianim,Daoism and Zenism through chinese philosophy and nationial psychology.The same of Confucianim,Daoism and Zenism is unifited Heaven and Man descides the spirit of the chinese traditional aesthetics and arts.It is a important topics that the author create a mood in the course of painting a landscape picture,which includes the emotion and mean that were produced when the author climbes hill and watches stream. The mean is the accumulation of aesthetic self-cultivation, mental state, insights on life. The performance of the inner emotion and subject to wrestling with painstaking efforts achieve their goals with the specific means and forms of artistic expression which the author owns feelings injected into the object being depicted as an objective materialization of emotions, which is empathetic to shore up lyrical material in order to create a situation full of the mountains, painting the water is intended to overflow in the water, "meaning together with the territory, scenes and emotional mood".The beauty of the mood of the chinese landscape picture stress that firstly painting unifies subjective and objective worlds. The creation of the mood of the chinese landscape picture is called taking image or ink,also including image selection and spatial layout. The creation of the chinese landscape picture is a sense of a religious form of chinese cultural men. The completion of the traditional chinese landscape picture that is such a historic conception in theaesthetic formation carry forward from their cultural ceremony until the modernization of the Chinese landscape painting in generations.