The Landscape Painting Of The Yuan Dynasty And The Aesthetic Orientation Of The Painter

Any art and work spirit and human are closely related, landscape painting has its unique way of carrying their own mission.Yuan Dynasty is the important historical stage Chinese landscape painting development, occupies an important position in the Chinese art history. The painting is the pursuit of ink interest and shown on the landscape aesthetic taste, this is the special political atmosphere is based on the premise that as the background, and the prevailing philosophy and art theory, and also is the inevitable result of the development of art."Point of view is a result from the figure painting liberated landscape painting became an independent painting after." Using this specific visual image persistence and conventional, in different periods influenced by economic, political, and cultural performance methods exhibit unique and aesthetic orientation."The focus of the Yuan Dynasty painter is not in the being and the representation of the images, natural images are placed in a secondary position". This shows that the Yuan Dynasty painting has been the focus is not on the object (as a whole or the picture point of view) representation of reality, without my habitat will be the five generation of the Northern Song Dynasty emerged, developed into more attention to painting the main spiritual freedom of expression, pay attention to the words charm, Shang Yi hermit personality landscape."Picture of the scene can be very simple, but the taste is very keen interest". Landscape painting scenery also broke through a bondage, become the symbol of painting to communicate with the soul.Yuan Dynasty landscape painting can be said to be hidden in the woods in the spirit of the people. Landscape painting landscape in so, fishing, the moon can be seen that stand aloof from worldly success through the secular state of mind. They are hidden in Linquan borrow between painting to express my feelings,"the recluse as a cultural phenomenon is associated with the spirit of revolt despotic society’s" in other words the hermit was formed under the special background and intellectual thoughts each other after impact,"hidden" is the external behavior,"Yi" is the heart of the extraordinary refined, remain free and free state. When the external conditions and hope can not match, also unable to change, the people elected to retreat and hidden, a kind of life, passive attitude towards life alone. This is also a scholar’s moral integrity. Thus paintings hermit subject, has formed the unique artistic aesthetic orientation.The aesthetic orientation of landscape painting in the Yuan Dynasty Yuan dynasty literati painters point of view and sporadic scattered in some articles or discussion, but no more systematic and complete research. The aesthetic orientation of the Yuan Dynasty landscape painting point of view and literary artists in Yuan Dynasty as the research object, the overall trend of contact time background and culture, through the application and characteristics of element four as the representative of the landscape painting scene (the poem calligraphy and painting mutual reference card) to analyze the Yuan Dynasty literati painting aesthetic orientation. At the same time, strengthen the important our understanding of landscape painting "point of view" application, also strong in the landscape painting landscape innovation form, highlight the unique esthetic orientation of our times. Through the. Through the study of the Yuan Dynasty landscape painting landscape, to reveal the unique aesthetic orientation in the specific era, has the value and significance of undeniable.