Aesthetic Orientation Of Imagery Expressionism Painting Mood Perspective

The painting is an exotic, from incoming Chinese with the task of combining traditional Chinese culture. After the efforts of generation after generation, the Chinese imagery Expressionist painting gradually developed. Currently, there are quite a number of people during the creation and study of imagery Expressionist paintings, and they were from different positioning of images Expressionist painting. This article is discussed reflects the mood in the images Expressionist painting in elaborate imagery Expressionist painting in a development context from the perspective of the traditional Chinese aesthetic theory of value from the perspective of traditional Chinese Aesthetics-Aesthetic State. Cited several paintings of different styles, but the cheerful traditional oriental charm in the works which are Chinese painter Zao Wou-ki, Shang Yang, Xu Fuhou, Liu Nanyi, Duan Zhengqu, Hou Jiming,Chen Zijun interpretation through analysis of representative works of the painter painter were behind the profound realization of traditional oriental aesthetics and aesthetic pursuit. In the creation reflects the mood in the imagery Expressionist painting in the second half of imagery Expressionist canvas painting in the outlook of the trend of today’s international and domestic development trend and to the immediate creation realized through their own personal sentiment of concluded Yibiao painting was born and development meet people’s aesthetic expectations Yibiao painting is the inevitable trend of looking forward to the future development of on Image expressionism painting.