Study On Feminist Narrative Of Contemporary Romantic Novle Of Hong Kong And Taiwan

From the perspective of feminist narrative,this article explore the narrative features of contemporary romantic novle of Hong Kong and Taiwan.From the narrative mode, discourse and voice and perspective,it analyze the characteristics of female narrative on contemporary romantic novle of Hong Kong and Taiwan.And through this narrative features,it reflects the deconstruction and reconstruction of female authority and establishment of female consciousness.Then it discovers the hidden words and voices of women.The first chapter is the study of narrative mode of contemporary romantic novles of Hong Kong and Taiwan. This chapter studies the authority implied by the change of gender from the story level of the plot - character model. In plot mode, there is a fixed structure of a binary opposition between men and women, there is always the subject and object of the points, The main body of the authority of men unconsciously demonstrated. The author does not consciously affected by male consciousness. In this mode of love, there has been reversal of power relations, but it is only temporary and partial, ultimately the authority of men accounted for a dominant, Female is unconsciously self-subduction in this model. Among them, the person's character has several different modes. The text has two female characters: strong and weak.They are reaction on both sides of the female character, also the author of two of its own interpretation of the character. However, the existence of these two characters also reflects the authority of the construction of the female presence in the contradiction, Construction of the posture of the strong authority but was weak digestion, There is also the conflict of a contemporary women of this tradition and modernity in their own choice.The second chapter is the study of the implicit voice in the contemporary romantic novles of Hong Kong and Taiwan. This chapter studies that the author how to establish the authority of female discourse from narrator voices and character voice. The voice of the narrative is divided into authorial narrative voice and personal narrative voice.In the authorial narrative voice, the author has the absolute authority ,master the words authority and in the text try to establish authority of women's discourse. But the author voice is being affected by the implicit voice of traditional culture of male awareness of the impact of factors, which imports female voice into the self-inclusive and conciliatory, limits the scope of female language, quietly denied the authority of women's discourse. Personal narrative voice is easier to highlight the individual subjectivity and women's personal awareness. But in this kind of narrative voice, female narration has a great advantage, and it shows the female consciousness, grasps the words authority. But inevitably, this narrative voice remains contradictory.The narrative discourse of author recessive to meet male perspective, succumb to the social reality of male awareness and consumer demand. Therefore, in the character voice, there is not consciously obscure power in male voice. Although the female voices have been efforts to master the words authority, after a short raising,they are suppressed by the male voice, and ultimately fading down.The third chapter is the study of narrative perspective of contemporary romantic novles of Hong Kong and Taiwan. This chapter discoveries the main female identity and self-identity from the narrative perspective of the changes.Study found that the author deliberately control the reader's response through internal point, in order to make the reader some kind of identity. In this view of control, the authour shouted the one hand, following the era of rationality of "personal liberation, ""love freedom ", but deep in their psyche is a self-personality and women to cover up thinking, their writing is also limited in a narrow perspective of the feeling world of women.It caused the lack of awareness of women and women's self-identity, formed a split of the female narrative. Although it is no lack of the change in female perspective in contemporary romantic novles of Hong Kong and Taiwan. Women are no longer just "be seen" the object, they took the initiative to issue a "see " vision. But they "be seen"status does not change, they still feel that men look the image of these women with a critical eye which determines the women's survival means in society and their value judgments. By this phenomenon we should recognize that women take a self-critical gender identity recognition, do not deny the existence of differences, face self, establishing self-identity and awareness.In the conclusion, the writer pointed out that women in the establishment of the authority of the contradictions generated in the first three chapters based on the analysis, Because the binary opposition is not absolute ideas, as well as by the reality of the times.And definitely worth its value of contemporary romantic novles of Hong Kong and Taiwan in the pursuit of the feminist consciousness and authority.