Narrative Strategy Of Lv Xin's Novel

The writing course of Lv Xin almost represents the fate of vanguard literature of China, beginning brilliantly and returning calm. As a native rural writer, the various countryside has always impacted his writing. But he has never taken it as his goal of writing. What he concerns most is the living experience of humanity. It makes the discussion of content become extremely difficult and unrealistic. In that case the choice of form study becomes an effective way of Lv's novel. I will use Narrative as main theory, and focus on narrative perspective, time and space. By analyzing works such as Touching, Grass Green and Return of Ruanlang, I'll discuss the feature of fragmentation and sensory.Introduction first introduces a whole new writing style used by Lv. The expression of his experience in rural places is very personal. The persistent expression of discourse forces him become isolated by the critics. I take a whole look at the research of Lv's works and point out that the neglect is obviously unreasonable.The first chapter started with Chatman's . Then discuss the meaning of "I" and other perspectives.The second chapter takes Genette's theory as basic, and discuss fuzzy stagnant time in Lv's novels. State of time can be summarized as fuzzy and stagnant. Fuzzy refers to pointless time noun and natural writing of time. Stagnant depicts emotional scene description.The third chapter investigates space of his works, including juxtaposition and juxtaposition of past and present.In the end I summarize the need of his narrative strategy, which is closely related to the content.