Space - Time Consciousness And Artistic Expression In Li Shangyin 's Poems

In Chinese classical poetry, the generation of images, the creation of artistic conception, emotion expression, often cannot leave the description of time and space. Space-time consciousness includes the individual social history and the reflection of the universe. Through the surface of consciousness of time and space, we can see not only to the emotional world of the poet and the characteristic of the life course, can also further understand their contemporary spirit and the unique thinking mode of the national spirit. As the breakthrough point, this paper selects the space-time concept and attempts with space-time consciousness of spiritual and cultural connotation and expression for the point of view, in order to the specialized study of Li Shang yin poetry. The article is divided into three parts.The first part, the first chapter is the introduction. Firstly, discusses the significance of space-time concept and interprets the space-time concept of this article. Secondly, describes the research status of space-time consciousness of Li Shang yin. Finally, points out that the research method of this article.The second part, the body, including the second chapter to the fifth chapter:The second chapter discusses the poetics of space and time characteristics of Li Shang yin in the Tang dynasty culture under the big background of different social mentality.The first section is divided into two parts:persistent enterprising and persistent heavy feeling, to introduce the poetics space-time characteristics under the persistent mentality of the poet. In his political poem, it shows the macro thick remote real time and space; in his Object-chanting poem, it reflects the fine beautiful natural space-time and clever and compassionate emotion space-time; in his love poem, it displays the chaos lost inner space and time. The second section describes the wailing colorful muddy the poetics of space and time under the tragedy mentality of Li Shang yin. Under the tragedy mentality, Li Shang yin in real time and space, often selects the way to transcend the reality and return to the heart to express his consciousness of time and space. Within the surreal of subjective in natural phenomena in the universe, the reality and imagination blends into an organic whole, we can get a kind of experience of space and time, which is complex changeable, and no trace can be found.Angle for image space and time, the third chapter discusses the two forms of expression of time-space images in Li Shang yin’s poem. The first section describes time forms of expression of image. Not only the natural object and history only improve e-bank service quality these two images which containing the time is analyzed, and in deeper their life of suffering consciousness and suffering consciousness is detected. The second section from the aspects of the expression of the space image from the points of historical landscape, place names repeated and over mountains high, introduces the performance characteristics of the spatial image. Meanwhile, not only shows the poet’s broad political mind, and also reveals the living circumstances, and the universe Vientiane thinking of the poet.The fourth chapter focuses on the space-time concept in Li Shang yin’s poem to give aesthetic grasp of art. From the angles of the value of deformation, tense chaos, physical time is distorted. Meanwhile, from the aspects of the ductility of the outer space, space and the folding, real space is reformed. Through the analysis of the language structure and aesthetic grasp, we can from a deeper level to appreciate the macro thick realistic world and the chaotic inner space and time of Li Shang yin.The fifth chapter selects several specific forms in the poem to show the poet’s experience of time and space. The first quarter from the heart of the personal experience of space and time, the heart of the spatial experience of time and social these two aspects to present the poet’s experience of space between history and reality, and also seek to a kind of poetry and reality, time and self balance of aesthetic pursuit. The second quarter chooses aspects of homesick thought and hurt when feeling smart to appear the time experience of space of consciousness in the poem, what is more, reveal the poet’s political feelings and suffering consciousness, and manifest the poet to quest for meaning, life home to return to life. The third quarter analyses the experience of time and space of Li from the perspective of beyond timed and space. Li Shang yin’s poetry, which is based on reality, transcends the chaos of the realistic world into the chaos of the absolute of space and time through the comprehension. In his love poem and untitled poem, we can get perfect interpretation. In these poems, past and present, life and afterlife appear alternately, mix, reality and dream coexist here and there, which can incisively and vividly show the poet’s spiritual journeys with significant experience.The third part, conclusion, summarizes the full text.