The Research About The Acceptance Of Jia Dao's Poetry In The Song Dynasty

Jia Dao is one of the poets who have a profound impact on later generations. In recent years, academia regarding the Jia Dao's impact on future generations, has made some useful exploration, and also made a lot of fruitful results. But at the same time, Jia Dao acceptance of the later poems are still quite weak and inadequate, such as there is not the compiled booklet concerning Jia Dao in academic research so far,and Jia Dao of the relevant information is scattered and unsystematic until now.Currently some of the conclusions about research of Jia Dao's acceptance in the academic world are not enough objective, fair. Therefore, we believe that the research of Jia Dao's acceptance on later generations still remains widening of the scope.View of this, I try to learn from previous and contemporary scholars' researching results, integrate the relevant evaluation about Jia Dao's Poetries of Song Poetry, through deeply reading relevant evaluation about Jia Dao's Poetries in Song Dynasty, poetries, letters, notes, etc. first-hand material, make use of history and the history of poetry each card accepted method, induct and summary the acceptance situation about Jia Dao's Poetries about Song Poetry, outline the general situation about Jia Dao's Poetries in Song Dynasty, in order to provide some useful clues which we deeply grasp the content and features of Jia Dao's Poetries.I believe that:there are a shadow of Jia Dao, all in under the shadow of Jia Dao on the whole three hundred years of poetry in Song Dynasty. In the early Northern Song Dynasty, the "Nine Monk" as the representative of the "Late Tang Dynasty", pay homage to the Jia Dao's Poetries, in the mid of North Song Dynasty, Ou Yang Xiu and Mei Yao Chen's attitudes to Jia Dao's poetries are not clear. Su Shi made the concise evaluation to Jia Dao's Poetries using the words "cold" and "thin". The evaluation of Su Shi received a crucial impact on the acceptance of Jia Dao's poetries in this period, especially criticize the most. After this comment of Su Shi, criticism of Jia Dao's poetries still remain, like hanging by a thread, the sound of this criticism has continued, until Yong Jia Si Ling and the Lake School's studying and approving in the Southern Song Dynasty. There is a good change to Jia Dao's poetries in the poetry.From the course of the acceptance to Jia Dao's poetries in the Song Dynasty, we can conclude the following views. First of all:the deep understanding of the "assiduity" intrinsic on Jia Dao's poetries. He is famous for "assiduity" in the poetry. The "assiduity" spirit, to a certain extent, is the inheritance and development for the Chinese traditional literature, "Leaning" concepts and so on. At the same time, the "assiduity" in practice has the same strain, such as "to express feelings of anger by writing a book" of Qu Yuan. In addition, the "assiduity" of Jia Dao shows the essence of the spiritual path of the Chinese ancient literati, is an absorbing and bearing to the concept of traditional personality.Secondly, with regard to the poetic style of Jia Dao and Meng Jiao. According to the current information I master, the situation is rare that Jia Dao and Meng Jiao is laid together in the Tang and Five Dynasties. The examples of adding significantly increased that Meng Jiao and Jia Dao is laid together in the Song Dynasty, the situation is complicated than that of the Tang Dynasty. Most of the Song summarized the poetry style of the two poets using the "poor unhappy", "cold thin" and so on, which seized the lead of their creations. Of course, to some extent, it reflects the uniqueness of the comments about of poetry in the Song Dynasty.