The Research About The Acceptance Of JiaxuanCi In Song And Yuan Dynasty

Xin Qiji is one of the greatest poets in Nansong Dynasty .He is also one of the most important poets in Chinese history. He is full of great ideals to get back the lost land and to fight Jin Dynasty, but he was frustrated finally. So he reposed his sensation of gravamen on poems to express his complicated resentful affections. Through the passion filling in his body and by the brush pen in his hands, he reflected people's widespread concerns about fighting Jin Dynasty at that time and expressed the strong wishes to recover China and unify motherland .He criticized the false policy of Nansong government to surrender to Jin Dynasty and expressed the grief sensibility that his lofty ideal couldn't come true in the lapsed years. He created a diversified Ci style that gives priority to the grief and indignation emotion and solemn and stirring passion. With his unmatched abilities and his steady wills, Xin Qiji pushed the Ci's composition to a new high peak of arts,which caused great sensation at that time and shines the future generations.Whether judged by art values or by art thoughts, JiaxuanCi has either classic significance.In later history, many excellent poets continuously follow it, mimicry it, praise it. And the versatile acceptance of JiaxuanCi comes forth. This text will trim the acceptance status of JiaxuanCi in Song and Yuan Dynasty from a brand-new angle of acceptance aesthetics. Through reviewing the rising and falling of JiaxuanCi's status and different social effect that JiaxuanCi caused, we can comprehend the different characteristics of JiaxuanCi's acceptance condition in Song and Yuan's various period. We can pry the changes of value concept in Song and Yuan ,and understand this historical phenomenon from various points of views and levels.The introduction part mainly introduces the reasons and important meanings of this topic. Firstly, acceptance esthetics is an brand-new theory method when we examine and construct traditional literary history, and have great significance to the literary history research; Secondly, JiaxuanCi has prominent "classic" position in Ci history and is the topic that Ci research can't get around; Thirdly, the age of Song and Yuan is a stage that Ci rose and fell obviously, so "Jiaxuanci's acceptance research in Song and Yuan" is an important topic. The research of Jiaxuanci's acceptance can make us go deep into the style changes and the evolution process of Ci, which has important meaning to trim Ci's development. This text is divided into four parts:The first part is chapter 1, mainly discussing JiaxuanCi's art characteristics and the background of acceptance, which is the premise and treatise foundation of JiaxuanCi's acceptance research.The second part consisits of chapter 2 and chapter 3, mainly discussing JiaxuanCi's acceptance on theory by Song and Yuan's poets. It generalizes completely JiaxuanCi's acceptance on theory by Song and Yuan's poets and outstands the acceptance on theory by important scholars. Chapter 2 discusses JiaxuanCi's acceptance on theory by Nansong's poets, outstanding the worships and praises to JiaxuanCi. JiaxuanCi's Preface of Fankai is the earliest theory to generalize JiaxuanCi. In this text, Fankai put forward "the style of JiaxuanCi" and generalized its characteristics, and inquired into the connections of JiaxuanCi and DongpoCi; Xin Jiaxuan Collection's Preface of Liu Kezhuang is another advance to JiaxuanCi's acceptance. In addition to highly evaluating Xin Qiji's heroic personality, Liu Kezhuang also praised highly JiaxuanCi's style; Xin JiaxuanCi's Preface of Liu Chenweng is another important theory between Song and Yuan. The article highly praises the breakthrough made by Jiaxuan in language and style. Most of other poets in Nansong also maintained affirmative attitude to JiaxuanCi. There had the voice of criticisms at the same time, for example Zhang Yan, which belongs to elegant party. He deemed that JiaxuanCi was not graceful Ci.Chapter 3 discusses the acceptance on theory by Jin and Yuan's poets. Jin and Yuan's poets extremely worshiped JiaxuanCi's generous and unstrained style. Among them Yuan Haowen is a representative person. He put forward the theory of "Dongpo first, hereafter then Xin Jiaxuan", which emphasized the important position of JiaxuanCi.The third part consisits of chapter 4, chapter 5, chapter 6, and chapter 7, discussing the acceptance on composition by Song and Yuan's poets. Under the premise that describes completely the acceptance conditions by Song and Yuan's poets, it emphasizes some important poets' acceptance on composition.Chapter 4 discusses the acceptance on composition by the middle of Nansong's poets . Because of the objective request of age background, Chen Liang and Liu Guo's Cis completely manifest the acceptance on composition to JiaxuanCi from the style, contents, language...etc. They expressed intense patriotic emotion, reflected the ages' change, extended the force of bold and unconstrained patriotic Cis and had a certain function to the further dissemination of JiaxuanCi. Jiaxuan's coetaneous other poets also sang with Jiaxuan, and took nourishment from JiaxuanCi, and became members of bold and unconstrained Cis' party.Chapter 5 discusses the acceptance on composition by the poets of the end of Nansong .At the end of Nansong, the national power declined day by day. Rules and forms of classical poem party occupied the mainstream, which was led by Jiangkui. But some poets who inherited or inclined toward JiaxuanCi's bold and unconstrained style still emerged, for example Liu Kezhuang, Chen Renjie, Liu Chenweng, Jiang Jie etc. Liu Kezhuang's theory identity with JiaxuanCi makes his Cis close with JiaxuanCi consciously. His Cis express patriotism theme, bold and unstrained style and iron consciousness, which all materialize the acceptance to JiaxuanCi. On this foundation, Liu Kezhuang had made further innovation on reflecting the reality whether from the width or from the depth. Chen Renjie's Cis imitate JiaxuanCi on powerful style of drawing and writing freely. Liu Chenweng and Jiang Jie are also the strong power of JiaxuanCi party. They witnessed Song's perdition, and tasted the soreness profoundly. They often expressed their anger by Ci. Their Cis follow the lead of JiaXuanCi's generosity and spectacularity, but were deeper in sorrow. Liu Chenweng's Cis also represent the acceptance to JiaxuanCi on the content, the skyle, the skill, the sentence construction etc.Chapter 6 discusses the acceptance on composition by Wanyue poets to JiaxuanCi. At the end of Nansong, due to the society's stability the elegant party became the mainstream. They pursued rules and forms of classical poem. Their style inclines to be graceful and restrained. But facing the strong effect of JiaxuanCi, they were inevitably subjected to being influenced. They leaned to or permeated or rejected or corrected, even criticized JiaxuanCi. These are all manifestation of their acceptance to JiaxuanCi. Jiangkui's Cis introduce the iron of JiaxuanCi into the morbidezza of traditional Cis. However, Wu Wenying's Cis materialize the acceptance to JiaxuanCi on writing skills.Chapter 7 discusses the acceptance on composition by Jin and Yuan's poets. Yuan Haowen is a representative of Jin and Yuan's poets. His poems often imitate, use the idea and the phrases of JiaxuanCi, and express a JiaxuanCi's special deeply missing of home country. Some of his Cis express deeply desolate and helpless sensibility. The style that derives from the essence of Jia Xuan is bold and unconstrained. Jin and Yuan poets also created great quantity of writings to imitate JiaxuanCi. The style inherits JiaxuanCi's original bold and unconstrained style, which expresses very obviously the acceptance on composition to JiaxuanCi by Jin and Yuan poets.The fourth part is chapter 8, which mainly commence the investigation to the acceptance condition of JiaxuanCi by researching Ci's collection. This chapter draws a conclusion by analyzing six kinds of Ci's collections. Firstly, from Grass Hall Ci Poems we can know that the acceptance and spread of Ci is mainly depended on the text. With the passage of time, JiaxuanCi gradually grew into public literature from elegant literature and desk literature, and was acceptd by the public gradually. Secondly, from Exquisite and Good Ci's Collection from Resurgence we can know that JiaXuanCi has great influence and spread extensively at the end of Song. Thirdly, at the end of Song and the beginning of Yuan, Highbrow Art and Literature, Exquisite and Good Ci Poems, Grass Hall Ci Poems in Yuan successively come forth. We can testify that at that time Jiang and Zhang's party occupied the mainstream. Their Ci's thoughts decide the standard of Ci's selection, hence they seldom selected JiaxuanCi, which shows that it was the low tide for the acceptance of JiaxuanCi at the end of Song and the beginning of Yuan.There were about ten kinds of JiaxuanCi's edition that were edited and popular in Nansong and Jinyuan. The prosperity of JiaxuanCi's edition and publication explains that there were great concerns and consumption about JiaxuanCi and JiaxuanCi spread extensively in Song and Yuan.The conclusion part makes a summary to the full texts, and draws conclusions.The innovation and meaning of this text:Firstly, while discussing the acceptance condition of JiaxuanCi, this text emphasizes the research to the acceptance on composition. It specializes the acceptance characteristics of JiaxuanCi in Song and Yuan, which is a new angle and is new contents of acceptance research to JiaxuanCi.Secondly, in the meantime, this text gets some new conclusion by commencing the investigation to Cis' collection. There is certain innovation, which has certain significance to clearing the developing skeleton of Cis' history in Song dynasty and Yuan dynasty. Thirdly, this text makes a summary to the problem in the acceptance of JiaxuanCi by researching the acceptance condition, and put forward some new views.Fourthly, by the acceptance research of JiaxuanCi, this text deepens the understanding to JiaxuanCi in dynamic unscrambling to literature values and significance. This text takes the acceptance of JiaxuanCi as an individual case to survey some regularity phenomena in Chinese Cis' history.