Try To Talk About The Oriental Aesthetic Factors In Modern Chinese Dry Point Of Embodiment

This essay attempts to the east to China dry point creation aesthetic factors as the breakthrough point, tries to analyze the transplant and in China dry point inheriting and developing process, "Oriental aesthetic factors of modern and contemporary Chinese dry point," creative thinking and artistic representation method influence. And in China dry point works reflected in the eastern temperament. The core content of the papers for:a, Oriental aesthetic factors in the embodiment of Chinese modern dry point; Second, Oriental aesthetic habit and thinking on modern Chinese dry point creation the influence of the ways of expression. And the western culture system in comparison, the Oriental culture itself has certain characteristics of artistic vocabulary.Western classical dry point art from modeling of overall. he, realistically, figurative sense. And in the traditional paintings before dry point input delay image, art is the thinking mode of imitation is relatively perceptual poetic, i.e. traditional Chinese painting·is a literariness, abstraction, and the symbolic, "disconnection. The history of the development of Chinese dry point lived over 300 years, yet China dry point at the beginning from introduction to imitate, after the nationalization, localization, historic context to pluralism, fit development has been the internationalization direction. This paper, by China dry point and western dry point art comparison between the similarities and differences between found. Especially in the 1990s, western painting art ideas combining with Oriental aesthetic factors in modem China, rich expand the vocabulary of the performance of art dry point. This essay attempts to grasp the eastern aesthetic factors on the influence of Chinese dry point creation, from theory of western and eastern aesthetic level, the paper compares main factors analysis of Chinese modern dry point is artistic innovation intension and aesthetic value orientation, tries to more in-depth analysis, analytical and research the Oriental aesthetic complex Chinese dry point, for China's contemporary dry point research provides some valuable theoretical basis.Judging from the article structure, the article is divided into five sections parts.The first part is the introduction, this paper introduces the research object, the significance and the research purpose, as well as the research idea and research method of domestic and foreign scholars, and the related researches on existing simple summary, saw the introduction of the whole thesis part.The second section discusses the development in China dry point. First spoke the development of western dry point brief early 20th century dry point, the east biography, input context. Deals with the development of Chinese modern dry point. The third part mainly analyzed the modern dry point Oriental aesthetic factors, from which, western dry point form, content, form by comparing and analyzing the difference.The fourth part focuses on analyzing the Chinese modern dry point works case studies.The fifth part is the conclusion of the whole thesis content, make a conclusion in the east, and the aesthetic factors of contemporary Chinese dry point development under the state of prospect.