Textual Research On "Hakuga Fue-fu"

The flute manuscript "Hakuga fue-fu", completed in 966 by, or under the editorial supervision of Hakuga (919-980), is of the greatest importance for the study of early Sino-Japanese music, since it is one of the oldest surviving collections of tunes from the "Tang-music" repertory, that is, the repertory of Chinese court-music of the Tang dynasty (618-905) preserved at the Japanese Court. Well-known Japanese scholar Qiansan Lin (1899-1976) has been in-depth study with it.In addition, Professor Allan J. Marett, who worked in the University of Cambridge has conducted some in-depth study and author of "Hakuga's flute score" These studies mainly focus on the notation and their 68 pieces of textual context has not yet been examined.This paper will start from the 68 pieces, focus on the origins of research, and analyze the origin of these songs. Through the analysis and comparison on Sui Tang Yan music style with Japanese Gagaku, this paper will make a "Hakuga fue-fu" in "China, Japan, and North Korea" constitute a test track. At the same time, companioned the Japanese Gagaku music with Sui Tang Yan music, to see how Sui Tang music style eastward to Japan changed, then analyses the reasons why Gagaku accepted Sui Tang Yan music style and why it changed, by more detailed analysis of the music phenomena.