Research Of The Korean Music Influenced On Japanese Gagaku From Sixth To Ninth Century

Korean Peninsula and Japan has a deep history of cultural exchange since ancient times. Between s ix to nine centuries, in the Japanese Gagaku formation, the development of the Korean music as a force to be reckoned with influence its changes. This article will introduce the Samhan music during six to eig ht centuries and Korea Le during ninth century these two periods about influence Japanese Gagaku, pro be the Japanese Gagaku formation process. Meanwhile, Tang music as one of the music culture of the A sian continent, the Korean music and Japanese Gagaku far-reaching,searching among three relation also become another focus.In the cause and effect of the introduction part of the essay writing and the meaning of the object of several major research explanation. Gagaku has a different connotation in the East Asian countries. Jap an Gagaku only in China belong to the banquet music genre,it’s very different withChinaGagaku and K orean Gagaku. Japanese court music including was incoming from China, the Korean Peninsula and oth er regions of the Asian continent, and as time goes by the Japan-based music, inherent in the music of Ja pan and the Japanese part of the kings and nobles to follow the example of foreign music style changed record Some of the music.Then do the analysis of the impact about the Japanese Gagaku Samhan music. From the Samhan music incoming, it influenced by Tang music and Samhan instrument of Japanese gagaku affect three as pects. When the Korean peninsula had relationship with Japan and China at the same time, the musical c ulture of the Chinese mainland’s oldest income to Japan by North Korea. This is due to location relation ship between Asahi. Later, music and dance from the Tang Dynasty passed directly, the status of the Sa mhan music in Japan began to change.In7th century, Japan began to emulate their system, set up a special music management agencies c ailed "Gagaku Laos", to master foreign music and their inherent, and is responsible for their performanc es and music instructors. From about the9th century, the Japanese began to finishing, digestion and abs orption foreign music. First, the Japanese government on the music system reform, foreign music is div ided into two kinds of music,it’s left music and right music. At the same time, do it outside instruments of trade-offs, the provisions of the orchestra, the dance is divided into left dance and right dance to refor m Japan inherent in the music, and innovative music by Naru Ya music system. During the Japanese nob ility began writing their own Gagaku, Japanese court music genre and style was incorporated into the lef t of the music or the right music.Heian period, Korea reunification of the Korean peninsula, and even extended to the territory of th e Bohai Sea, are called at the time a whole slice of geographical Koryo. Gagaku as Korea music refers t o the unification of a wide range of the Koryo music. At the same time, the Gagaku the Heian period in Japan reform Samhan music known as Koryo music, also known as the right music, a wide range of cha nging the use of musical instruments, slowly become Tang music instruments to play the Samhan music, so the Samhan music instruments are almost abandoned. Japan began Lok reform to entering peace tow ards after about50years later, that during Ren tomorrow Emperor (AD833to849year reign) period. T o this beginning, Japanese court music from the main stage to absorb foreign musical culture began to m ove toward the road of integration, transformation and innovation, and has been handed down to.The fourth part of the article discusses the Japanese gagaku and differences of Korean gagaku.Finally, Introduce the main viewpoints of the article and in the epilogue briefly spread to the Japanese Gagaku status quo.