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Kindness Of Sereni

Posted on:2011-11-17Degree:MasterType:Thesis
Country:ChinaCandidate:Z L FangFull Text:PDF
GTID:2155330338477242Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
It was the flower of the arts and cultural metaphor, because art is part of the culture, or culture, she is a special carrier, a special form. Traditional Chinese painting in the background of traditional Chinese culture growing up. Produced in the Chinese nation, whether local Confucian thought still has from the Western Regions of Buddhist thought, a long time, as a faith and values affect the development of Chinese culture and art. Starting from the Spring and Autumn Period, China appeared to Confucius,Kongmeng, Xun Zi, represented by Confucianism, with Guanzi, Hanfeizi represented Legalism to Mozi Mohist represented doctrine, toSunzi, represented from the military doctrine, Laozi and Zhuangzi as well as Taoism, represented by the important schools of thought. Among them, the value of Confucianism and Taoism to promote the pursuit and aesthetics on the most far-reaching influence of Chinese art. They harmony, simplicity, austerity and purity of his art as a pursuit in which the formation of the Chinese literary thought much of as of today. Taoism advocates of "Heaven" and the concept of the universe, "Silence" the spirit of the pursuit and "simple" aesthetic ideology, a Chinese traditional painting art aesthetic standards. Reflected in the performance of traditional Chinese painting as the color out of language to convey a "solemn and quiet sense of" this "solemn and quiet sense of" traditional Chinese painting is the language of self-regulation re-color expression. In other words, the ideology of national ideology in the field has become invisible among the core values of literary and artistic creation and self-discipline required. In addition, from the Western Regions Buddhist thought and Buddhism, Taoism and the local community formed by the integration of Zen thinking, as an ideology is also about the traditional Chinese painting with the basic themes and ideals. This is the North China Dunhuang Mural Painting in Late Yuan cool to have fully reflected. Buddhist Thought in the pursuit of a "meditation" is a "static" state of mind, therefore, the performance of Buddhist themes in the murals of Dunhuang, the strong colors also follow a harmonious and peaceful, this area is subject to China the principles of traditional painting with color effects, more importantly, also embodies a spirit of religious pursuit. Which reflected the solemn and quiet sense of self-discipline of the Chinese literature and art as a whole coincide. Therefore, they represent the spiritual content of traditional Chinese painting in the general requirements in today's China, which is still undergoing painting effect. Chinese traditional painting is a special language symbols.Access to modern and contemporary Chinese society after the painting by the socio-economic and cultural impact of the international community to form a range of various features. To sum up, can be classified as "new tradition" and "contemporary art". The so-called "new traditional painting" refers to maintaining the traditional form of Chinese folk art based on the language of the extension on the development of techniques and forms of ancient Chinese painting is not much sense of the differences. The "Contemporary Painting" is due to outside influences, both forms of ideology or content of the work, great changes have taken place. This article discusses the two art forms is not the external appearance of too much discussion. Because the recovery of their spiritual meaning, the message that these outstanding works of Chinese painting in the past the solemn and quiet atmosphere, and national conservation remains the same. Which still showed the basic traditional Chinese painting style and self-discipline requirements, which is the core of this paper.In modern and contemporary this noisy, impulsive social context, we need this to purify people's hearts, can not be peace of mind works of art. As the spirit of the essence of traditional painting, we should be promoting large, colorful paintings and contemporary re-color language development, study and explore opening up a wider space to develop.
Keywords/Search Tags:Serenity sense, Chinese traditional heavy color painting, re-color language, self-discipline, Chinese painting color
PDF Full Text Request
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