The Survey And Preliminary Study On Wu Jia Gu Qu Of Zunhua's Mafangling Village In Hebei Province

Zunhua cityis located in Hebei Province. In accordance with the current culturalrelics stored in perspective, Zunhua history of human activity dating back to thePaleolithic Age. All of the productsofcultureinGentleman's mouth relics, like the legbones, horses teeth fossils, scrapers, and plant fossils, etc., which indicates that therewere traces of human activitis before ten thousands years.The ancient ancestors livedin Zunhua have created a splendid history and culture, a wide variouskinds of folk art,possesalonghistory.Wu was born in the ancient classical Chinese Zunhua Bu Zi Dian's mafangVillage. In 1915, the Taoist Master Lu Cheng Zhen completed hand-written music, amusicalscorenotation,whichhaveahistorynearlyonehundredyears.Bynow the research work of Wu was concentrated in a book "Hebei folk musicalscore integrates ancient music", which was publishedby The Department of Culture inHebei Province, in 2007. In this book, a small part of the track were summarized inorder,butalsolacksofawiderangeofissuesrelatedtotheinvestigationandcollation.In this investigation, We carry out a large number of field surveys combined withethnomusicology, cultural anthropology perspective,then summarize and analyses theperformanceofthehistorical origins oftheWu,geography,environment,andsurvivalstatus,as a preliminaryinvestigation and research. We hope totodoourbesttoprotectWu ancient classical heritage and help to inherit it. This paper is divided into fourparts:Thefirst part ,the geographical environment and historical evolutionoftheWu :aperformanceandbriefintroductionofTheHistoryandmafangVillage.The second part, ancient classical Chinese historical origins and music ontologyresearchaboutWu: inthefirst weintroduceditshistorical origins indetail,atthesametime we stated on the spectrum of this ancient music scores we have read, and aperformance of the number of statistics, but also describes the instruments and thecompositionoftheband,as well as thetranslationofindividual tracks from themusic tounderstandancientclassicalfeatures.The third part was narrated about the transmission, activities and social functionof Wu, inheritance and the transmission of the main ways to study and described Wuancient classical temples, Chinese New Year, weddings and funerals and otheractivitiesaswellastheperformancetheyplayaroleinsociety.The fourth part was about the survival of ancient classical Wu status, alsoanalysis how to protect and develop through field visits to the survival of ancientclassical Chinese Wu, and summarized and analysized several reasons, we proposedcorresponding protection measures to make the Wu a great performance for moredistantspread.