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Differentiate And Analyse "the Style Is The Man"

Posted on:2011-12-27Degree:MasterType:Thesis
Country:ChinaCandidate:S S ShenFull Text:PDF
GTID:2155330338978304Subject:Literature and art
Abstract/Summary:PDF Full Text Request
"The style is the man" in Chinese history of literary criticism is an age-old concept, and accepted by most scholars. The unity and unity of human, and sets, morality is the artist in the process should follow the basic principles. But we also want to see, in many cases words and articles are not have completely consistent, due to various reasons, "article differs from human" frequently occurred.Based on an introduction of the first choice for research object defines and explains, Secondly the correlative literature, expounds its position and views, Again, the inner logical stage-knots of writing, Finally, on the purpose and significance of may be simple statements.The first chapter focuses on history around "the style is the man" concept of controversy. "Xin hua xin sheng" from Yang xiong, than,said Liuxie, to exhortation for paper should "In nei fu wai", operators to clear out "the style is the man"by Sushi, as the affirmation have give. But history have questioned again, Yuan haowen according to pan yue holds personality and language contrast "Xin hua xin sheng" voice always exclamation , "Qian zhongshu said that giant distortion of rape or can act the role ofing, passionate arguments conclusive and consistency. Two kinds of views, both of them are tit-for-tat, this is the reason for his appeal shall be discussed, in order to realize the unification.The second chapter to literary style problems as the breakthrough point, through the analysis of the reasons for the formation of style, writers and literary style of the relationship between personality, to discuss the rationality of "the style is the man".Literary creation is the psychological needs of writers themselves. Writers through creative activities to express feelings and express yourself self, self ideal to the world and life experience and the pursuit of his creation, thus determines character of aesthetic style literary works. We can say that, the writer, what to learn, learning, and will create what style of literature. However, we must pay attention to the work style of the subjective factor is the writer's particular temperament, also is the so-called "Zhao zi xie qi" from Liuxie.The author discusses the third chapter through ups, aesthetic perception of time and literary transcendence, aiming to demonstrate "the style is the man" where the one-sided. The "Wen de"said wang chong, all the artists want to do that the literati character and style unionize.If that the unity of the high standard of feeling, then at least also should be consistent with the style. But the virtue of a man has coincided with the relative. Secondly, the aesthetic perception of time also brought some negative influence, people in reading works may not only see the reward; the judge not only the product, with the confusion caused WenPin personality. Once again, from the perspective of artistic creation, itself fantasies, because people in real life, many ideal and desire to be, and view, and artists will these human desire into beautiful image, through the art show, so the creation of artists above real-life himself, literary works from life and transcendence.The text, to be of compensatory interpretation. "The style is the man" in the "people" proposition if only refers to the writer, it is undoubtedly the particular temperament, but if the correct moral character level extending, easy to be false.
Keywords/Search Tags:the style is the man, the speech is the index of the mind, pretense, aesthetic distance, style
PDF Full Text Request
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