Research On Nationalization Of Chinese Flash Animation Development

Since the 20th century,animation art has been burgeoning. With computers and digitaltechnologygetting access to familieas ,new form of animation–flash animation began to playan important role inpeople's daily liveAsn.d Internet has become the major media for thespreading of flash animationI.t alos finds its way into other media like television and mobilephones, which caters to the needs of youngpeople.N ational culture embodies the history of all etghrnoiucps in the development of its creation,and italso represents the national characteriss toifc this culturNea.tional culture is the majorchannel through which ethnic cultural heritage of national characteristics are reatnadi nseod,is the continuity of thneational spiriFta.cing a new era and culture media environment,national culture neesd to find a newcarrier to produce a new vitalitayn,d is thus accepted bythe modern heritage.Traditional theme has beenn important part of the national cultuIrte .isalso facing an urgent need of being spread and transmittedF.lash animation is a newtransmission vector with strong characteristic of the times.Compared with traditional animation,it has unique advantages in technology andcommunication when it is applied to the expression of the traditional thIenm et.he process ofrapid development ofthe traditional themesf,lash animation constantly explores the breadthand depth of its expression,and tries toadopt technical innovationT.he study of flashanimation in China in the aspect of traditional themef riasgmented and lack correspondingtheoretical guidance and systematic combination.This paper begins with the illustration of the purposes and meanings of the combination of flashanimation and the characteristics of traditional theAmneds .then it explores its form andcontents,itsthinkign and the development of flash expression of traditional themes in theglobal environment under thestatus quo.The paper attempts to approach China's flashanimation and the traditional themes from thdeevelopment of the combination of theory andpractice.Hopefully the paper can contribute to the basircesearch of animation featuring thetraditionatlhemes in the environment of new media.