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The Rebuild Of The Spirit Of People's Culture

Posted on:2003-08-10Degree:MasterType:Thesis
Country:ChinaCandidate:L ChangFull Text:PDF
GTID:2155360065950647Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
In the process of the development and the indigenization of Chinese oil painting, the artists in China face all kinds of problems and puzzles. With the modernization of Chinese society and keeping up with the world, Chinese oil painting becomes more mature and emerges some puzzles which never happened before and hesitations about the unknown directions of the future. Modern society strongly impacts and influences the development of Chinese oil painting. Because of the involving of the decadent and shallow popular culture, there emerges a phenomenon that partial negation of the aesthetics and the intermediary arts language. The artists who try hard to explore in the category of aesthetics face kinds of puzzles of language and lost of the future direction. Thus, the direction of the nationalization and indigenization of the oil painting becomes the road to the future with the most practical significance and most developmental significance. We need to succeed and develop the language and media of western classic and modern oil painting, understand and absorb the form showed by oil art with western humanism, make the national sprit as basic point by mixing Chinese and western together. That is the only road to the future with wider sense of nationalization contained most opened and modern sprit, which is Chinese artists need to look for.
Keywords/Search Tags:Chinese oil painting, culture, language, nationalization
PDF Full Text Request
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