Abundant Dialogues In Female Vision

Female writing in the 1990s has transited from body consciousness to language consciousness. The thesis aims to explore the following question: while deepening women's unique experience, how to hold the balance between female discourses and other's discourses, to handle well the relation between the female world and the mass world, so that female writing and literary history could establish organic connection, and female culture could participate in constructing the whole social culture. Bakhtin's dialogic theory has provided a new explanation angle for transition of female writing. This text attempts to analyze three texts, to reveal the abundant dialogues in the female vision in the 1990's. And then it goes on to explain the new inclination of a kind of female writing-polyglossia. There are inter-dynamites and dialogicality between this kind of inclination and literary history and culture, whose characteristic and whose meaning is further revealed and explained in this kind of dialogic relation.The thesis is divided into two major parts: introduction and text. The first part includes female writing problem at present, feminism and the introduction of Bakhtin's dialogism, the possibility of application of the theory into female writing. The second part, relying on 3 texts of female writing in mainland, Taiwan, Hong Kong. It aims to explain the miscellaneous language of female writing. Announcing women and social miscellaneous relation of language from text aspect at first, it analyses female text's miscellaneous behavior of language. According to Bakhtin's dialogic theory, "other" and "other's discourse" can be found through observing the female. In miscellaneous Chinese female writing is no longer the only sound, and form the relation of talking with the social miscellaneous languages. Women consciousness launch in social miscellaneous vortex, dialogue of theme take and become novel basic characteristic of rhetoric. This openness is divided into two levels and. First, the dialogic level of discourse, including sneaking the relation of talking, the dialogue relation between the protagonist and others (betweenpersonages) instead of being one's own of protagonist, Dialogic relation between the author and protagonist. Second, form and reply the transferring text aspect. Showing as various kinds of document, kinds of infiltration and weave in factors at the structure, and theme including interlock different proposition of purpose. Two aspects these to single women words and woman's theme surmount in the past.Secondly it analyses the miscellaneous language from literary history aspect. By introspecting female writing miscellaneous language writing get clear and apparent at monologue background of writing, going through the transition from monologue to miscellaneous languages. The transition set up writing and literature history getting in touch with women. The argumentation as to this is divided into two levels, first, the analysis to monologue voices of women, the instrument right western women narrative argumentation and south sail of voice to the personal monologue analysis narrating. Point out the achievement and limitation of the monologue personal writing. Two from monologue to miscellaneous development and change of languages from narrative way, works fundamental key, language style, observe angle, etc. And to expound the fact that miscellaneous language women create inherent mechanism and external factor appearing. To analyze the miscellaneous language women's writing from the culture angle finally. Miscellaneous languages women's writing plural culture result of linguistic context, except inherent cultural factors of woman. Whether it is getting global to more absorb extensively for culture (postmodernism), many kinds of culture and the culture composition, etc. It has shown some signs that the idea transform into" production and consumption" idea of the cultural product of "production and consummation" of the literary works. It not only enriches the accumulation of the literary history from...