The Two Models In The Violin Nationalization In China

Based on the preceding researches and from the angle of the development models of violin nationalization in China, this paper for the first time advances the two models: 'Ma Si-cong Model' and 'Situ Meng-yan Model'; and tries to analyze the two models actually existing in violin nationalization in China in the background of the cultural transfer in Chinese modern music development and in the 'double-culture'schema of the new musical and traditional musical circumstances.With employing the study methods in the studies of music-history, music-culture, music-sociology, and takes a historical research on the development models of violin in china, this paper analyzes the development models in various cultural circumstances and the corresponding cultural properties in each stage according to the features of violin works, playing, style, teaching and social cultural activities. Structurally this paper takes the two models in the development of violin nationalization in China as the vertical clue, does the specific cultural analysis horizontally, analyzes the socio-cultural factors which are influential to the models in the violin nationalization in china, and meanwhile investigates the development process and the cultural connotation of the two models by the way of illustration based on historical facts.The paper consists of the following 3 chapters:Chapter 1 'Ma Si-cong Model'in the New Musical Circumstance Through the study on the development model which forming in the new musical circumstance and taking the major position, this paper does a general but brief illustration on its formation, development and sums up the features in different stages. Chapter 2 'Situ Meng-yan Model'in the Traditional Circumstance Through the study on the development model forming in the traditional circumstance and taking the minor position, this paper takes the Guangdong music and the use of violin in Yue opera as typical examples, compares them with those in other places, does a general but brief illustration on its formation, development and main features. Chapter 3 Cultural Analysis of the Ways of Existence between 'Situ Meng-yan Model' and 'Ma Si-cong Model' The paper studies and takes a comparison between the two models on the whole, sums up their own distinctive features, and points out the different traces on the way of violin 'nationalization' in china and their internal rules.Conclusion: This paper puts forward that Situ Meng-yan Model and Ma Si-cong Model,the two models in the violin nationalization in china, are objective and typical being, and that each has its own features. Here Ma Si-cong model takes the major position. But due to the different culture-existential circumstances, the two models have their own cultural features. The formation of the two models is not only under the direct influence of the 'double-culture' circumstance in modern Chinese music, but the result of people's positive cultural choice and identification in different music circumstances. Although at the first sight the two seem quite different in standpoints, existential circumstances, status and positions, they are functioning, complementing and referring to each other, and both constitute the whole being of the violin 'nationalization' in china on a bigger cultural background.The author not only first advances two models in the violin 'nationalization' in China theoretically, but collects and adds some new documents and acoustic,video materials in this respect. Meanwhile, the paper shows that the spread, existence and development of western music in China are facing two existential circumstances, and Chinese people also face the two choices and attitudes objectively. This paper studies the two models with referring to the objective historical facts, and breaks the previous theory of single tendency in this respect and offered significant opinions in practice and theory.