The Discussing On Templet Drama's Text, Acting And Production

The thesis starts with 《Zhi Qu Weihu mountain》 .Avoiding bald concept explain,author try to make careful reading and objective analysis on the play book odeum and producing fashion.The paper is researching abundant and complex contain of Templet Drama.Part one: Play book--the world of double words.Mainsteam wordsstrongly occupied the text. Hero,crowd and war visualized the myth, folk words loomed at the same time. A world of double words were composed.Part two: Odeum--the innovative experiment of Beijing opera. Itwas the most spiculate problem to choose formalized Beijing opera express modern living.Templet Drama practiced the exploring. Comparing with traditional Beijing opera,it was an indeed innovation experiment. The war subject suited two poles thinking of formalization and taste of expecting intention in 60-70 ages. It cleared up the contradiction between Beijing opera's form and modern living content.Innovations agglomerated art workers' a lot of painstaking effort. Dancing, music,stage art and acting complemented aesthetic items and bringed about the success of <《Zhi Qu Weihu mountain》 .For the contradiction between content and form never stopped, the success onlystawed the contabescence of traditional Beijing opera in special way.Part three: Art production--growing up of red sutra.Mainstreamideology concentrated on producing flow from former text to adapting of modern drama and Templet Drama.Along with the increasing involvement of political power, the text became more and more pure. It was not convinced to asunder Templet Drama and former ones.Collecting inditing came true. Due to theory of "root task" and "three standing out", the text's indpendence and self-sufficiency were exploded.The part of artists' was completely destroied.Templet Drama was promoted to entirely bloom by multiplicity of circulating wayand attention of authority media.Nation consensus filtered sounds of different consumers.Commading chorus was formed.