Beginning with drawing a clear demarcation about the words of the title, the paper clarifies that the comprehensive content is the destruction of the part of the rite system during the Pre-Qin Period. Then after explaining the social background of the music part of the rite system and its destruction, the paper collects the music part of the rite system of Zhou Dynasty, and though these selects, analyses the typical aspects: music part of the rite system of Zhou is the product of the special social condition; is the content of the rite system of Zhou, and the method, means the same time; it has strict and fine limitation of the content and corm; also has the character of paying too much attention to the good and useful sides to the society and individual, the aesthetic feeling side is on the contrary. On this basis, the paper makes a detailed analysis to the destruction of music, including producer, receiver and critic of art, art content, art form etc, and then adding a table to the chapter, trying best to describe the original features of the special art phenomenon-music destruction of the rite system. Finally, according to the change from music of the rite system to music destruction, the paper summarizes the effects of the music destruction of rite system of Zhou.
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