| The paper has adopted two methods, while it discusses the relating theoretical problems of revising traditional TV Opera. One is the method of compared study. Compared study is for probing into the combining ways and channels of opera art and television art, as well as their patterns and expressions which affect opera TV. Second, in the course of comparison between opera TV and opera and TV play, establish the independent art personality and value of opera TV. Signalize the emphasis and grip the vitals. Provide most basic and important problems of revising to traditional opera TV with theoretical foundation. It has presented own theoretical construction and assertion from four respects. First Part Starting from state research on surviving and developing of opera TV, it has summed up into two phases, which opera TV has experienced: it can be seen as the primary phase of opera TV play from late 1970S to late 1980S. During this phase, this kind of art has finished the transformation from opera art to TV art, art has finished the basic state and frame of the kind of independent art, initially set up and show the art feature of opera TV; After entering into 1990S, this kind of art has get mature gradually. The analysis reckons that, if opera art wants to be admitted by modern civilization, it must probe and reform without cease.Second Part Lay stress on freehand brushwork, it may be said to be the marrow of opera art; lay stress on writing realistically, it can be said to be the esthetic feature of TV art. Take the esthetic appetition of "combination of false and true" as researching visual angle." False and true" is a kind of art processing method with universality, penetrating in all art practice processing of TV opera and in individual art factors. The application of false and true should master flexibly depending upon the concrete circumstances of the plot. It can' t be absolute. The application of real scenery should suit the creation of lyric atmosphere, in order to be convenient for actor's play as premise. The shot language possessed particularly by TV also can intensify this kind of freehand brushwork and symbolization, entitle it with visual frame and mold, and display unique artistic conception beauty. Make the space—time of stage art and TV art reach the same goal by different routes.Third Part From the view of acceptional aesthetics, the spectators cherish a kind of expecting mind before appreciating the opera or even on the way to theater or it can be said that" expecting field of vision". What is more important is the stage performing exists in direct exchange of aesthetic emotion between on-stage and sub-stage.Compare therewith, when the spectators are watching TV, they don' t have this kind of mind. The populations of TV makes watching TV become the daily life style of spectators. Furthermore the purposes of the spectators have changed from originally exchanging and linking up with group into individual daily' s pastime and entertainment. Fourth Part Analyze from the view of Development, art is always contemporary people's, it changes with vary of era. On one hand, the spectators living in present society receive new information, new conception and new thinking without cease, which make their life style change earth-shakingly; on the other hard, the traditional conception and modern consciousness self-correct and self-inconsistent in spectator' s mind. This complex situation reflecting in appreciate mind is the multiplicity of appreciate taste.What should be pointed up as well is the TV revising of traditional opera. The problem of modern consciousness not only exists in the field of performing content, but also need a kind of modern aesthetic consciousness in the respect of manifestation mode. If it can' t find a manifestation mode reflecting modern consciousness recognized by present spectators, no matter its feeling of era or demand, all of them have no method to talk about.In conclusion, TV revising of traditional opera is the transformation betwee...
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