| What is known as SanJiaZhu is three annotations on ShiJi. The three are ShiJiJieJi by Pei Yin in Liu Song Dynasty of Nan Bei Dynasty Period, ShiJiSuoYin by Sima Zhen and ShiHiZhengYi by Zhang Shoujie in Tang Dynasty. SanJiaZhu outshines all the other studies on ShiJi in Han&Tang Dynasty. They have much in common such as intention to annotate, approaches to note and pattern organization. Besides, their annotations relate to each other closely. The later comer is always impacted in sequence. However, due to different time of the accomplishment of the three masterpieces, there are differences in the stress on annotating and the content of completion. That is to say, they are pretty comparable. It is mainly by comparing their annotations from various aspects that this project aims to obtain a relatively whole recognition on SanJiaZhu, so as to offer some warnings and help for exegesis research of Han&Tang Dynasties, and provide some literary evidences for relevant study on ShiJi.First of all, the project synthetically studies the three annotations and induces their contents and approaches. Besides, it compares and analyzes the complicated relationship between the three managing to find out their inheritance and development. Finally, it inquires into the common respects and individuality, achievement and flaws of the three. As is shown in the study that SanJiaZhu is an exegesis unity that inherit in sequence with a complete annotation content and various annotation approaches. They follow and develop the new way put up by Pei Songzhi to annotate with historical factors in consideration, initiate the tradition of historical exegesis and show the achievement and development of traditional annotation study from Wei&Jin Dynasties to Tang Dynasty. |