The Folk Culture And The Lu Xun's Novel Creation

There are three chapters which discuss the novel creation of Lu xun and expound its influence from the folk culture. The first chapter discusses the process and the reason that Lu xun becomes the first Chinese of the local literature from four parts: the folk culture, the folk culture of the home town, the childhood memory of "hu yang wei ba", all new acceptable angle of view of Lu xun'novel creation. It introduces the concept and the content of folk custom, then the author thinks the folk culture is the soil of Lu xun's novel creation in which the novels are made to the psychology of the traditional culture and it is the best thing to express the psychology position. Following this part, the thesis produces the wu yue folk culture and its influence for Lu xun's temperament, his noble character, and his creation . It produces how Lu xun comes to his personal character and how he comes to collect much folk culture material in the childhood memory of "hu yang wei ba". At last the thesis mainly explains Lu xun's acceptance for folk culture goes through different recognition, realization and absorption, and then shows the folk culture is the new acceptance angle of view of the Lu xun's novel creation.The second chapter mainly discusses the feeling of folk culture of Lu xun's novels. On the hand Lu xun has a foothold in the hometown, on the other hand he oversteps the hometown and expounds profoundly the culture tradition, then he dissects ruthlessly the cannibalistic essence of the ancient clan system in feudalism. The concrete contents mainly includes eight parts: clan, sacrificial ceremony, dress and personal adornment, appellation, wedding rites, funeral rites, money, worship the deity, etc.Through depicting the life and social reality of the east town of Zhe dong in 1920s Lu xun vividly describes the social condition of the old China with deep crisp artistic style in his own works.The final chapter mainly produces the influence for the town writers in the folk culture. Whether wang lu-yan, xu qin-wen, xu jie, wang ren-shu, tai jing-nong, ot rou shi, xiao hong all consciously dissect and think deeply the traditional rites from the historical habits and the ignorant benumbed feeling of Chinese with the style of Lu xun's writing, and send out the tremendous power which shakes the public feeling. They play the heavyhearted ancient ballad which mirrors the life and death of the nation.