| It is of great help to lay bare the insight into some complicated issues like the construction of relevant Chinese contemporary fine arts to investigate how the popularization of Chinese fine arts has surfaced, which has dealt tremendous influence upon the view of Chinese contemporary fine arts, its terms and graphs, and the evolutions of its style. The popularization of Chinese fine arts that had derived from the given social and cultural background during the initial periods of the 20th century is not equivalent to its western counterpart. And the fine arts education advocated by Chinese leading intellectuals such as Cai Yuanpei, Luxun, and Lv cheng who aspired to bring about enlightenment and to save the nation from being extinct around the period of the Wushi Campaign in the May 4th 1919 constitutes one of its theoretical backgrounds. The Fine Arts Campaign carried out by figures including Lin Fengmin did pay contributions to the popularization of the Chinese fine arts. It is these elites who have propelled that popularization down the social hierarchy.In the beginning years of the 1930s, the thought of popularization of Chinese fine arts was brought to existence by the Left-Wing Group's literature with the discussion of the Revolution Literature and the Popularization of Literature. And the Left-Wing artists led by Xu Xinzhi launched the great fine arts' Pu Luo Campaign did initiate the popularization of Chinese fine arts with the slogan as "Fine arts, the weaponry of people's economic and political struggle". Moreover in that process, some youth Left-Wing artists succeeded in correcting mistakes committed by some of them thanks to Lu Xun's instructions.Chinese fine arts could not make achievements in a self-inclusive way any more because it had been endowed with the quality as an instrument featuring strongChinese fine arts with the instrumental and political connotations has been commencing to deal a profound impact upon the development o f Chinese contemporary fine arts. |
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