From Teng Gu To Watch China Modern Fine Arts Foundation Of Historiography

Chinese traditional art history writing has been characterized by compilinginformation in the form of art history is a dynasty replacement for the phased stagesof the basic duplication or confined to the political history model. "Man is Road to"the fundamental principle that, as the saying goes, history is about the "golden hills,chair, may Kam", but also "into correctional and others]," functions. Tend biography,and writing, with more limited information recorded with the knowledge of our arthistory has been characterized by the writing of the basic model.Late 19th century early 20th century, as Western learning things and the returnof students studying abroad, writing of the history of Western art methods wereintroduced to China and was trying to apply to Chinese art history research andwriting of.Since then, Chinese scholars to look at my eyes with critical presentationof the history of traditional art, and the use of Spanish on writing, Scientificexploration is also rational thinking, but also with Chinese characteristics arthistoriography.with the Chinese art history in the modern sense of resilience. In thefield of Chinese art history, Teng Gu in their own practice so that China entered themodern art history research and writing is modern Chinese art history at the openingfigures.Mr. Teng Gu changes in Chinese society background, a good foundation forlearning the culture and traditions, has studied Japanese and German, as well as byChina's new history by the impact of the theories of Western style, gradually forminga Chinese art history in his scholarly work with the writing of the modernconcept.And in practice to establish their own methods and systems, for thedevelopment of Chinese art history has important and far-reaching enlightenment.Teng Gu performance characteristics of modern art history studies : one pair ofresearch methodology conscious exploration;Second, traditional writing reflectionand change;3, using open, look at art history major cultural perspective. Teng Gu bythe College accompanied by Liang Qichao new history, accepted Darwinism view ofhistory;Students Germany, the system accepted the German national art historiansadvanced thinking, especially by Woerfulin style and methods, and applied to thestudy of the history of Chinese art, Chinese art history research for opening arational and methods of coercion.Teng introduced a position of significance not only art history writing methods,but also to his many academic practice methods confirmed the role, but because he isobjective and methods of use beyond attitude. In the face of China's history and art isprofound vast inheritance, Teng position with his unique vision and practical work,leaving informative records, thus underlines the history of modern art in traces andindividual style.My subjects are being established with the art history flourish in the heatcompared with the beginning of the 20th century has a similar. Mr. Teng Gu as thekey representative of the art historian, she reflected brilliance. This article aims tosecure Mr. Teng formation of modern art history and development, as well as thevalue and significance of the study examples, screen styles research and analysis tobe objective comprehensive understanding of the academic and Teng Gu historicalstatus, and current art history research and methodology to explore someenlightenment.This paper is divided into four major to art history writing to outlineexperimental modern reconstruction, expounding on the development of Chinese arthistory foreign academic background, Teng secure a modern art history methodologyand significance of art history research Teng examples as well as with other arthistory research methods comparison etc..