Discussion Of Language Symbol In The Chinese-painting

The Chinese "BI MO" is a symbol form of a kind of image since which become a kind of independent painting language. Since the the Jin Dynasty, "BI MO" language got enough self-sustaining to interest scholars . From Sui to Yuan Dynasty, to describe clever, express spirit became conscientious pursuit of sholars-painting, "BI MO" pattern and singe "BI MO" became perfect of form. Developed "BI MO" language in the Ming and Qing dynasty, made this kind of language stylize and lose the life gradually too to a certain extent. There is its deep aesthetics basis of philosophy why the Chinese "BI MO" can develop into this kind of height and not merely represent a kind of skill and technique ,. Compared with western art, the "BI MO" symbol is a emotion carrier of individual character, and a carrier of social culture. Nowadays, people pay more and more attention to itself of art, pay close attention to the self-sustaining of "BI MO" , this is one revolutionary sublation to perfect traditional "BI MO" of form, among them,someone adheres to the quintessence of Chinese culture , someone regard Western theory as supporters, very different. It is a common task to artists that how to choose one accord that "BI MO" advance meet the modern society with personal way. Taking an overall view of it at all times and in all lands, under the shining upon of emotion only,the self-sustaining of "BI MO" symbol will just emit the dazzling brilliant rays; See mark that spirit trickle of people indistinctly through "BI MO" only, which can seem limpid and transparent. On the contrary, the abuse , plagiarizing of any simple pen and ink language, all offer another's ideas as one's own. can't reach painter to the realm of freedom after all. Therefore, the pen and ink symbol should be creat because of sense, melt because of feeling , apparent because of individual, change because of time.