Commentary On Space Of Sculpture

Statuary space is an important field for both traditional sculpture and modern sculpture. Space is an objective formation as well as expression of extensiveness and stretch of matter existence. Statuary space may be divided into two parts, physical space and psychological space. It is a long and hard history for human cognition for space, which went through an active discovery process from non-self-consciousness to self-consciousness, and from passiveness to activeness. Statuary space realizes the time spirit. From the point of view of space nature, the statuary space includes stretch space and cohesive space, and the formal of which is the traditional research theme for the sculptor while the latter of which is breakthrough and contribution for space of the modern sculpture. There is somewhat close tie between architecture and sculpture in all ages. Though architecture has the same function in living space design and manufacture, quality improvement, and visual and psychological constant influence, etc., it is obviously not able to continuously offer the flexibility of sagaciousness for human society as sculpture is. For sculpture history of the world, it is a sensitive space and rational space exploration history. Non-rational space presents more vitality and virility in post modernism. Just as Foucault, the ideologist of post modernism, said that non-rationality is the decisive factor for all the modern arts. That is all artistic work includes the gasp inclemency factor. Non-rationality is a special space, and it will open a door we have been pent-up long. The statuary space research and exploration has already completed the historic assignment in the practice field in the means of modern reality. However, in the field of theory, it has made us to find the culture phenomenon generated from it. The exploration for sculpture realizes the time spirit of culture as well as discloses culture meaning of times.