| Since the 5th Zhong Shan in 2002 published Han Shao gong's "Implication", people have many discussions about its style. In my view, there is an ardent consciousness of critical essay in it, which includes motif and form. That is to say, It will help me explain the style of Implication.From Dad Dad in 1985 and Ma Qiao Dictionary in 90s to Implication in 2002, Han has always had creation on his novels style, which makes me be interested in his style consciousness. As for this, the thinking and method of the research on Lu xun's style consciousness in the book The world Being Light written by Zheng Jia jian illuminates me. To be a writer that thinks deeply, Han, on the one hand, concerns about novel style, on the other hand, he concentrates on the novel motif "language and human existence".According to the above thinking, I'll explain Han's seeking-root consciousness. As a literature party, "Seeking-root of literature" mainly meant the novel creation tidal current that digs the old Chinese culture in 1985. Han as one of the leadships of the tidal current, didn't stop seeking-root after 1985.He goes gradually out of the "Cock-head village" and "Ma Qiao", where are far-away and have heavy "Chu" culture atmosphere. Then he comes the big world of globalization. Through examinating the intellectuals and Chinese culture in these regions, Han inquires his ideal root of culture, human nature and literature.Using the sample type research, the paper chooses Han's three works from 1985: Dad Dad Ma Qiao Dictionary and Implication. Compared Lu's New-edited Historical Novel, I try to explore Han's inheritance and development from Lu's writing tradition. And the paper is mainly divided into three parts.The first part: language and human existence. Which is Han's writing motif in the last years. In his three representative novels, Han has been attracted by "language". It is hisunique purpose that observing human existence from language. Corresponding Lu's New-edited Historical Novel, the language of Han's Dad Dad and Ma Qiao Dictionary is parody. In Implication, Han tries to surpass language in order to obverse the human existence in the life and society. In this sense, Han transforms Lu's view "language as tool" into "language ontology".The second part: Han's style consciousness. Learning from the research of Zheng, the style of Implication is similar to New-edited Historical Novel style, namely "consciousness of critical essay". Explaining Han's style consciousness from longitudinal and horizontal aspects, I can draw two conclusions: first is his "anti-style" writing; second is his pioneering writing.The third part: Han's seeking-root consciousness, which is induced from his motif and style. There are two seeking-root consciousnesses: first is culture and human nature existence, second is language and novel style. Understanding Han's seeking-root consciousness, the most key is "language". He always focuses on language. Meanwhile, language symbolizes culture. Investigating the relationship of culture and human existence, in fact, is to display special life in some culture communities. While language is literature material, that Han focuses on language will bring his style creation, it's another seeking-root consciousness.Observing the three parts of the paper, "language" is my main clue on the research of Han's writing because language contracts human existence, human culture and novel style. |