Variations Of Chi Zi-jian's Native Creative Novels

Facing culture conflicts, this article asserts Chi Zi-jian's short native novels experienced three stages of the creative effort. In 1980s, Chi Zi-jian used childhood memories as an important source of creativity and took of childhood perspective to examine adult world. The writer carried the rational critique to the native cultural history and the present situation simultaneously to follow to modern civilization reconsidering. In 1990s, Chi Zi-jian went back to the folk native culture standpoint. The folk native feminine story had unfolded the folk exuberant vitality and the survival beyond the suffering. The "family's story" filling with the folk native dear ethics, had reposed the folk to be ideal. In the process of the rapid urbanization, writer's in recent years creation revolved "village marginal people" and "the metropolis foreign land" destiny, expressed locally to burst, the native culture declined sighing woefully. In art form, you can find realistic descriptions and romantic expressions in Chi Zi-jian's native novels, her novels are deep in artistic conception and rich in poetic flavor. In recent years, Chi Zi-jian's native novels adopted the irony writing after the image writing in 1990s. All these are songs to the native culture and the protestation to the bad effect of modem culture.