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Tentative Analysis Of Chinese Fine Brush Painting Texture

Posted on:2007-06-23Degree:MasterType:Thesis
Country:ChinaCandidate:Q Y ZhouFull Text:PDF
GTID:2155360182988270Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Traditional Chinese painting has always advocated "write";although there have been production in practice, the attitude towards it has been negative. During the transformation and innovation of contemporary Chinese painting, it is typical for artists to explore and apply the non-brush painting texture' s language, and this even becomes a trend in expressing language through fine brush painting. Although the non-brush painting texture' s language has been concerned, noticed and used by many artists, it mostly stays on the perceptual level, and its theoretical research still needs to be deepened. Based on this cause, the author reads a lot of domestic and oversea books about texture, collects a large number of relevant photos, interviews some famous artists who are keen on the texture production such as Wang bingyan, Haitian and so on, and then gradually gets a systemic and deeper understanding about the non-brush painting texture' s language.Therefore, to enrich the theoretical research on texture language, the author makes his effort in the following:In chapter one, there is a comprehensive summarization about texture, including the concept of texture and tools and materials for creating the texture;it is proved that texture is also one of painting languages as the role in the painting art, at the same time, the classification of texture and the characteristic of non-brush painting texture in Chinese fine brush painting are presented.In chapter two, the exploration and practice of non-brush painting texture Chinese ancient painting are elaborated from the historical origin of creating the texture.In chapter three, the prevalent causes and several texture-produced methods about the production of non-brush painting texture in the creation of contemporary fine brush painting are analyzed.In chapter four, the meaning about the non-brush painting texture' s language in the transformation of contemporary fine brush painting are summarized, that is to say, the non-brush painting texture' s language enriches the painting language of the fine brush painting art, and help promotes transformation and innovation in contemporary Chinese non-brush painting, and do good to form the individual styles of artists.In conclusion, there are overall conclusions about the non-brush painting texture' s language as an overlooking part, the problems about the non-brush painting texture' s language in the application of contemporary fine brush painting art and how to do with it as what attitude are revealed.
Keywords/Search Tags:Chinese Fine Brush Painting, Brush Painting Texture, Non-brush Painting Texture.
PDF Full Text Request
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