The Comparison Between Jingyun Dagu And Xihe Dagu

Recently, Chinese traditional music is depressed day after day. For this reason, the author has sprouted the intention that written this article.In 21st century, most people regard"quyi"as crosstalk, opusculum, storytelling and acrobatics, but they neglect the more important part of"music of quyi", and the young worship black talking and singing music (RAP) blindly. All of these need us to return "the mother tongue music" system, if we don't understand our national and folk music, our music accomplishment is incomprehensive. In Chinese traditional music, music of quyi is the most weak link, such as, its historical materials are deficient, the inheritors most concentrate in the country, the study pattern is oral instruction, the actors need more various abilities, the researchers are few in number, and so on. These disadvantage factors result in the music of quyi to drain and wither away. Therefore, today,with the development of technology at a high speed, studying this cultural treasure appears especially important.In this article, the author carries on the detailed analysis, comparison, summary, and induction between the Jingyun dagu and Xihe dagu from three aspects of historical origin, literature and music. Finally summarizes the future development direction of music of quyi through the general character and individuality of them, hopes to take offer a few ordinary introductory remarks so that others may use them to offer their valuable ideas.In kinds of guci lei , the Jingyun dagu and Xihe dagu are representative. They all mainly spread in Hebei Province, but their style characteristics are completely different. Since entering the city, the Jingyun dagu serves for super classes of society as an appreciation art, regardless of the song lyrics, aria, even the actors' costumes and actions, and it is very different from the interest which the lower level residents appreciate with. Differently, the Xihe dagu spreads and develops continuously in the folk. They all belong to the family of guci lei , and have some common aspects, such as the developing processes, singing forms, booklists and aria structures. But they have formed different styles themselves because of the different dialect and tune. Consequently, it is quite essential to analyze and summarize their same and different aspects, as well as reasons, with the depression of Chinese traditional art day by day. From summarizing the reasons and the laws of development, we'd better search a survival path for the traditional art to suit in society now, hope this cultural treasure develops better and better, and sends out a more eye-catching brilliance.