On the basis of the exploration of the possible development of the Chinese avant-grade theatre in "the three swordsman in Beijing", this paper presents a systematic research on the avant-grade theatre in 1990s, in the hope that it will provide some useful suggestions on the further study of avant-grade theatre.The author analyses the context in which the three swordsman's avant-grade theatre came into exist and introduces the appearance of "the three swordsman in Beijing" together with the practice of avant-grade theatre. By reviewing its practice from a unique point of view, the author focuses on the explanation of the humanism in the three swordsman's avant-grade theatre. The author, exploring the motivation for its change and discussing the role of its spectators, judges on whether the three swordsman's avant-grade theatre will continue to develop in future.
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