Some Ponders About The Stylistic Experiment In Chinese Literature Since 1990

As to the analysis of the situation in the Chinese literature stylisticexperiment, this article thinks it should be based on the following two points:firstly, the present condition and the nature about the literature stylisticexperiment;secondly, how to treat stylistic experiment. Only bycomprehend these two issues clearly and fundamentally, that we could trulygrasp the rule of the stylistic experiment, and find a suitable path forChinese literature development. This article takes the Convex-concave textfor example, by the study of the stylistic experiments in the 1990's,thensummarize up that the Chinese literature stylistic experiment is how tomaintain realism road in essence, and it is the successor and thedevelopment to previous literary traditions.The discussion from the following aspects:First, we describe the basic situation on the literary circles in recentyears. Stylistic experiments in China have never been stopped. Especiallyafter the "reform and opening up", the development in economic broughtabout tremendous change in the cultural field, many stylistic experimentsappeared in people's vision by different forms. How to walk down the roadof literature has become a very important question. It is the basis of everystylistic experiment.The emergence of the Convex-concave text was under the backgroundof the above, it had made great influence in the literary circles. We can finda strong significance from its aesthetic ideal. We need to emphasize that:this text does not only mean that its background was very complexly anddisorderly, but also means that the text itself was not in a rigid form, as ithad great ambiguity in its own name.In the Second part, we introduce the situation about theConvex-concave text. From the nature in formal, subjectivity in emotion,the new ideas in appendix, the tradition in language, etc, we describe thefeatures of the Convex-concave text in a summary.Next, we describe the characters in the Convex-concave text.Convex-concave text disappeared one year later, but this does not mean thatit is pointless. To some extent, the multi-perspectives in narration wasemployed by many people. The relationship among narraters, authors andleading characters provides a new writing strategy, in order to get to thehigh margins;This is a good application of "theory of multiple tunes",which was created by Bakhtine;On how to write, the issue of how to usethe language, Convex-concave text wanted to take up modern linguistics,linguistic philosophy and anthropology, modern history, modern aesthetic,which in their influence, also the methods and disciplines in "interpretation"model;They wanted to form a new style, including the language as used inpoetry, the description as used extensively and freely in novel, theelaboration in prose, the instincts and the penetration in poetry, the criticalanalysis. In the expression of the theme, it was focusing on performing"category", through individual to perform the survival situation of onegeneral or one group of people.So what causes its vanish? This is also an important question faced bycultural experiments in recent years. In my view, it may be caused by thefollowing reasons: 1 their spiritual values and ideals is missed, this is theresult of the development in economic;2 literary creations resources wouldbe shifted to the edge by a growing number of writers, cultural resourceswhich was established by the main-stream ideology is no longer treated asgods;3 People is finding himself (herself) in a maze of selfhood. The resultof self-expression leads to that they do not know where he is, do not knowhow to write, what to write. This is worthy of our discussion.The third part mainly focus on the cultural significance of stylisticexperiments, around how we should treat the stylistic experiments in recentyears we begin our discussion. I think we should open mind to the styleexperiments, it needs multiple conditions in collaboration;Understanding ofstylistic experiment correctly is a correct path and a small foothold tounderstand the contemporary society. We must persist in this way, in orderto change the current situation that the readers use "silent" to confront thesociety, we need more and more creative works to break the silence, whichcould maintain the pure in art, also could take strengths from other arts, andkeep the "depth" and "breadth" integrated.Finally we make a summary for this article. The problem of Chinesestylistic experiment is how to persist realism. Since the Movement on May4th in 1919, any previous experiments were around how to write, how toreflect the reality of our life;especially in our country, the dependency frompolitical to literature is very strong, main-stream ideology has greatinfluence on the literary. Chinese stylistic experiment is how to uphold thetradition of realism. In this view, a rigid division in styles is not appropriate;essentially speaking, the various styles are the same. Because of the greatsignificance in the stylistic experiment, this requires us to go beyond theform factor, trying to find better styles that could promote the developmentof Chinese literature. We still need to continue exploration in depth onstylistic experiment.