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Probing A New Way For Aesthetics Development

Posted on:2007-04-20Degree:MasterType:Thesis
Country:ChinaCandidate:M LuoFull Text:PDF
GTID:2155360185963856Subject:Literature and art
Abstract/Summary:PDF Full Text Request
There appear"ending of Practical Aesthetics"in china, facing the clamor of"ending"in the whole world, such as"ending of history""ending of ideology""ending of philosophy""ending of art""ending of male"and so on. Facing this challenge, Zhu liyuan forms his own theory of Practical Existential Aesthetics gradually, so as to develop Practical Aesthetics and probe a new way for Chinese aesthetics.The Practical Existential Aesthetic inherits the Practical Aesthetics, including Aesthetics of Li zehou and Jiang kongyang.The Practical Existential Aesthetic Starting from the concept of practice. Zhu liyuan thinks that the practical category of Marxism includes"being".Therefore, we should understand and explain practice from the angle of concept of"being". So, Zhu liyuan combines practice and being, and finally forms his theory of Practical Existential Aesthetics. Zhu liyuan point out the three basic thought of The Practical Existential Aesthetic:"Beauty is not ready-made object but exists in aesthetic activity","Aesthetic activity is a basic Practice of human beings","beauty in a broad sense is a state of life".The Practical Existential Aesthetic opened up a new view of the Practical Aesthetics, expanded the space of thought to the development of Chinese contemporary aesthetic theory.
Keywords/Search Tags:Zhu liyuan, Practice, Practical Aesthetics, Practical Existential Aesthetics, Marxism
PDF Full Text Request
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