"Impression Of Xi'an" Series Of Urban Landscape Painting Creation And Exploration

Cities are the products of social and economic development and the development of human civilization.It is the most familiar and living environment for people in contemporary society.Xi 'an,as an international city,is also one of the important birthplaces of Chinese civilization and nation.In addition to modern urban buildings and commercial streets,it also retains the imprint of history,such as the ancient city wall,bell tower and wild goose pagoda.The ancient city wall is the one with which I have the deepest feelings.It lies like a dragon in the center of Xi 'an city,surrounding the bell tower and drum tower,giving off the ancient and mysterious cultural atmosphere.This creation will explore the landscape of Xi 'an city wall and bell and drum tower from two parts.The theoretical part of the article will be discussed from four chapters around the urban landscape painting.Firstly,the introduction part briefly expounds the research background and significance of the urban landscape painting,the research methods adopted in this article,and the research status quo.The first chapter traces back to the origin and development of ancient city landscape painting.Through introducing the representative artists and their works in different periods and making a comparative analysis,the changes and characteristics of ink language in the development process of contemporary city landscape painting are obtained.The second chapter focuses on the development and innovation of contemporary urban landscape painting.The content is divided into two aspects: first,how do the changes in artists' emotional attitudes reflect the characteristics of artistic styles in the living environment and cultural background of contemporary society.On the other hand,I pay attention to the innovation in the formal language of contemporary urban landscape painting,and discuss its style and characteristics one by one by citing representative works from the aspects of composition,color and ink language,so that I can have a deeper understanding of the theoretical knowledge and development process of urban landscape painting.In the third chapter,the author integrates the knowledge of the first two chapters into his own creative practice and discusses the key and difficult points in the inquiry process.The content includes the selection of themes,accumulation of materials,and discussion of my creation process from composition,color setting and ink.I also reflect on and summarize the problems encountered in this creation process and the knowledge learned,and extract valuableexperience from it to make a good reserve of knowledge and skills for future creation and learning.