Tries To Discuss The Performance Style About The Piano Work Of CuiShiguang

Cui Shiguang,with the dual identities of composer and pianist is active on the musical stage both at home and abroad. As a composer,he has made much beneficial exploration for the nationalization of Chinese piano music.His piano composition runs through the principle of"Chinese and Western combination"and"making foreign things serve China", and reflects the combination of national character and temporal spirit.It is successful in dealing with the relationship of"tradition","development"and"innovation".Cui Shiguang composed such works of"Three Pieces of Impromptu by Liu Tianhua"in 2000,with the combination of the quintessence of national culture and modern composition means. In this set of musical works,Cui Shiguang did not merely transplant the original melody of urheen by Liu Tianhua simply into that of piano ,but he adopted parts of the original music and its artistic conception as his creative inspiration to compose three pieces of works frelely with entirely piano feature and the sublimation of another level.The abundance of texture in his piano works and the exertion of acting have represented the unique creative skills of this composer as a pianist.With this works as a viewpoint, first of all,it understood the composer's artistic exploring road and his creation from the creative background. Secondly, in aesthetical annotation ,it delicately explained that how the composer combined Chinese traditional fork music with Western composition skills well to make it have the feature of"traditional deepening and epoch innovation".After that ,it is an important in the whole paper for the erplanation of playing.Besides the detailed playing explanation for three pieces of music,it has put forward and opinion about how to grasp the unique lasting appeal among Chinese piano works from macroscopic view.This piece of music is a representative among the compositions of Chinese piano music .It is hoped that the research of this works can offer certain enlightenment for composing and playing Chinese piano musical works.